Flowers, beauty, architecture and antiquity

After a few weeks in London we packed up again and travelled north. I remember the cooing of wood pigeons and the enchantment of high summer in unspoiled country on the borders of Durham and Yorkshire, where my parents had found a house belonging to a friend of the family. It was in a village by the River Tees, described in the guide books as a ‘late medieval house, with studded front door with affixed carved oak female head, under ogee-shaped lintel (door said to have come from a demolished Saxon chapel).

‘The date on the lintel above the door is c1450, the reign of Henry VI. The house had been through many hands since then, had been extended in the 17^th century, altered in the 18^th and equipped with modern comforts in the 20th. Fashionable pantiles from the Low Countries were used to re-roof the house in the 17^th century. Today it’s been altered again, and one wing converted into another dwelling.’

It was set in a high walled garden at the end of the village, and we spent most of our time in the sitting room, a wood panelled room with huge Tudor fireplace and inglenook. If I stood on the head of the tiger on the striped tiger-skin rug, I could just reach the chamfered 17^th century beams as a nine- year- old. The casement windows looked onto the garden, and beyond the garden walls, hills and woods stretched to the sky-line.

We children were rarely allowed into the drawing room, and then, only if we knocked on the door beforehand. Mostly we stood at the door with whatever it was we wanted to say, but were allowed to sit there when guests came or when we had our lessons. I hankered to spend time in that room, a Georgian addition with French windows into the garden. It was simply furnished with soft flowered chintz, but it had a different atmosphere to the rest of the house – a refined, gentle energy compared with the robust Tudor architecture elsewhere.

I loved the slightly faded thirties linen prints on the loose covers on the sofas and chairs, and the black and white tiled hall with its antique chests and barometer. I developed a love of interior decoration and from then on felt uncomfortable in rooms that were ugly or tasteless, and was hungry for beauty when it was absent.

My new stepmother, who was lonely, and needed someone to talk to, unconsciously educated me too, looking through the pages of Vogue with me, and discussing the famous and controversial New Look by Dior. She wore clothes that I could appreciate, well-cut grey flannel trousers with a red jacket, elegant suits, nifty little hats with a bit of veil, perched at an angle, incredibly high navy suede court shoes, and severe beautifully cut evening dresses.

Everything was new and interesting, the stones in her jewellery, discussing menus, the intriguing friends who dropped in on their return from overseas, learning to distinguish crystal from glass, china from pottery. We didn’t always see eye-to eye. I was deeply upset when the revolving Victorian summer house with stained glass windows, a pointed pitched roof, and a circular table like a wheel which turned the house in the direction of the sun, was demolished, and the circle of soil now exposed, planted with grass. It seemed barbaric to smash this thing of beauty. My stepmother condemned it as Victorian. Anything Victorian was despised by both my parents.

This rambling house was a splendid place to curl up in and bury myself in a book. They were in short supply here. The owner had put hers away, and ours were all packed up. My stepmother gave me her textbooks on ancient history, so I learned about Pericles and Alexander, Carthage and Hannibal, there was Tanglewood Tales’, a book on Greek legends by Nathanial Hawthorne, and ‘ Black Beauty’, that animal classic which has influenced me more than any other for the rest of my life, I suspect.

Whatever the curse of the motor car, I am glad horses are no longer ill-used, neglected and exploited every day on the streets and in the country-side. “Little Women’, also among my stepmother’s books, had the same potent moral influence on me, as on so many other girls before and after. Interesting that the Quaker background of Anna Sewell, and the Transcendentalism of Louisa M. Alcott should have influenced so many generations of children.

I grazed through Palgrave’s ‘Golden Treasury’, which our stepmother used for our lessons. She was not strong on child psychology, but we learned a lot of poetry from the Golden Treasury, including: “Breathes there the man with soul so dead,” from Walter Scott, and Elizabeth Barrett Browning’s ” What was he doing, the great God Pan, down in the reeds by the river?” I can still declaim them both in the overblown elocution class style required of us. Longfellow’s Hiawatha was another favourite of my stepmother, and we learned to recite long passages of this too.

My sister got very ratty if she didn’t do the same things as me, so she tried to learn them as well. But she never mastered the esoteric spelling my stepmother required of a nine- year- old and an eight- year -old. The words included phlegm and haemorrhage, diaphragm, delphinium and rhododendron. By now, my father had long since departed for his next army posting and we were alone with our new stepmother, who was struggling with early pregnancy as well as the malaria she’d picked up in Egypt, though we were unaware of either. Sixty years later, she confided over an affectionate dinner together that:” You never played me up – you could have, but you never did.”

We didn’t go to the village school, and never knew anyone from the village except the gardener, Mr Appleby. He took a fancy to me and taught me the names of his flowers in the garden. He certainly behaved as though they were his. His deep red, rich pink, and white peonies were his greatest joy, and had a beauty all their own, as I picked them for my stepmother’s crystal vases. They were as lovely as roses, dripping with dew on their bright green leaves, and droplets nestled in the big flower heads layered with petals like an old-fashioned rose.

Since we had our lessons in the afternoon, it was my job in the morning to re-fill and refresh all the flower vases in every room in the house. This was perfect. It got me away from the parents who I was very nervous with – never sure of what was required of me and possible disgrace – and I could spend as much time in the garden as I wanted. Mr Appleby let me pick the best pink and red peonies, there were fat, pink, peppermint-scented pinks, sweet- scented roses, multi-coloured wallflowers and  purple penstemons, fragrant white stocks, spiky blue delphiniums and stocky lupins. Snow- in- summer and blue campanula sprawled in crevices on the terrace by the house.

He started bringing me treats from his own garden, huge, juicy, golden Williams pears, the fattest, hairiest, rosiest gooseberries I’d ever seen, juicy purple plums with golden flesh. My sister was furious that he never brought her any treats. Then he offered to take me for walks around the surrounding country-side.

The first walks were magic. Mr Appleby was probably in his sixties, a wiry little man with red apple cheeks and black stubble, who wore a grubby shirt with no collar and shabby black jackets and worn trousers that would be described as ‘rusty’. He had lived here all his life and knew every path and stream and hill and dale for miles around. He showed me mice nests slung between corn stalks, rubbed the ears off barley for me to taste, showed me the flowers that grew in bean fields and corn fields, where bird’s nests were, and where fish jumped in the pools which gathered between great slabs of flat rock in the river.

He explained who owned this field and that great house, he took me by shallow streams he called becks, and up steep cliffs he called scars. The walks extended from five miles at the beginning, to over eight miles one afternoon, up hills and along narrow paths, when I was so tired I thought I’d never take another step. I was always exhausted at the end of these marathons.

And then one day he said something I didn’t believe I’d heard. So he said it louder. ” Give us a kiss, then.” How could I be ungrateful after all the things he’d done to give me pleasure. I dabbed a quick peck on his horrid unshaven cheek. He did the same on the next walk. I avoided him in the garden as much as I could. I felt so sick the following week when he came for the Tuesday afternoon expedition that I hid in the top of the pear tree.

My stepmother called and called, until my sister revealed my hiding place, and I was sent on my way with admonitions not to be so rude. I dragged behind him for most of the way for the rest of those walks, but there was always a point when at some place he asked for the unwilling kiss. Once, I tried to tell my stepmother about it, but she stared at me disbelievingly, which effectively closed the conversation, and now I look back sadly, and see an achingly lonely and love-starved old man.

I loved that country-side.  I remember walking by myself to the next village on an errand for my stepmother, dawdling past the long, grey stone wall of an estate, with dark, shiny rhododendron bushes reaching over the top, and hearing the cooing of wood pigeons. There was a clear blue sky, the empty, cobbled village street, no sounds of traffic, nothing but bird song, sunshine, the church clock chiming, shady trees and the perfect happiness of being on my own with nothing to do but walk in this perfect place.

A Shell guidebook in the 70’s described our village as consisting of one street 3/4 mile long. ” One side of the road is a wide green behind which extremely attractive 18th and early 19th century houses face equally good houses behind a narrow green on the other side of the road. The village is sited on a ridge immediately above the bank of the Tees, and the river and rich farmland beyond can be glimpsed between the trees and houses. It is remarkably unspoilt… New houses are discreetly sited, so that they do not detract from the atmosphere of a more gracious age than our own. It is a village of many greens, sundials, river views, trees, and attractive door-casings, and its centre has changed very little since Jane Austen’s day.”

In 1947, it had changed even less, and there were no new houses, rather, it resembled the very village scenes observed by Emma… “her eyes fell only on the butcher with his tray, a tidy old woman travelling homewards from the shop with her full basket, two curs quarrelling over a dirty bone, and a string of dawdling children round the baker’s little bow-window eyeing the gingerbread…”

The only difference between 1815, when Jane Austen wrote these words at the end of one European war, and 1947 at the end of another European war, was the lack of horses and ginger bread. Food rationing was still as stringent as ever, with Europe on the verge of starvation, while lack of petrol meant no cars spoiled the peace of this north country village.

And all this was about to change as we sailed from Harwich to the Hook of Holland on our journey to join my father at Belsen, the notorious concentration camp in the heart of hungry, war-ravaged Germany.

To be continued

 Food for threadbare gourmets

 My tomato plants are flourishing, so I have a glorious glut of tomatoes. This was my solution the other day. Fry the chopped tomatoes gently in olive oil… the skins come off easily as they cook. When soft, pour in lots of cream, and as it boils to thicken, stir in a small lump of Dijon mustard, salt and pepper, and let them all meld together.

Two- minute noodles were a quick answer to some padding for the tomatoes which were poured over them. With fresh parmesan grated over the tomatoes it was a fragrant, delicious light lunch. A small glass of red or white wine is a great enhancement!

Food for Thought

 The people who are compelled to write down what they feel are the ones who feel it hardest… Briana Wiest

I discovered this quote and much more on a beautiful wordpress blog at: Deborah J. Brasket Living on the Edge of the Wild