These stones and feathers and shells can tell the story of my life in the last few decades… shells collected with the children on a Northland beach, a black and white feather lying outside the door when I opened it on our first day in a new house – greeting from a tui… the brown and cream morepork feather found on a long walk around the harbour with the thoughts and dreams of that afternoon threaded through its fronds.
An ancient stone from a river bed in the Blue Mountains of Australia was picked up after a day spent abseiling in abject terror, another from a cold pebbled beach in Devon, the chill of the Atlantic breakers still embedded in it after all these years, while the polished brown stone came from an underground cave in the central North Island where glow-worms illuminated the roof, and a river flowed through. These things are the stuff of my life… as they are of every life in which they are valued.
As I looked at them I thought of how other collections can also tell the story of a life. When I renewed my passport recently I found all my old ones, going back to when I was twelve and going to France on my own to learn French. In that passport photo two frightened brown eyes gazed out at the world. I had been so appalled at this picture that I promptly destroyed the evidence.
Which left the rest – a twenty one year old about to go on holiday to Spain, well- groomed hair, immaculate lipstick, and veiled blank eyes… the next, an exhausted mother of two toddlers about to go to Hong Kong, badly cut hair, eyes sad and resigned. And then, a picture of a thirty five year old woman, lots of dark hair piled up confidently, smiling eyes, relaxed smile. Life to be lived now, not endured. In the decades since, the hair has got shorter and then faded, and the last photo was so awful I hoped to be un-recognisable, but the story of a life is told in those passport photos.
Another can tell the story of their life in their jewellery, the coral necklace given at a christening, the charm bracelet for a little girl, pearls for a twenty-first, the engagement ring and the gold band… a gift to mark the first child, a clumsy pottery brooch made at school and proudly presented to a beloved mother… the ring inherited from a grandmother, the eternity ring at a silver wedding… such precious collections can mark out the steps of a life quite as well as a photograph album.
I wonder if there is even a market these days for photograph albums now all our photos are taken on phones and I-pads. I was never much of a photographer, so that the photos of my honeymoon were on the same roll of film as the pictures of my first baby. But I did have a memory.
I remember one summer’s afternoon when the children were three and four as they tumbled around on the grass, one wearing a sun-suit in glorious colours of pink and orange and red, the other in matching shirt and orange shorts. As I looked at them, revelling in their laughter, their shining hair, and sparkling eyes, pearly teeth and glowing sun-tanned faces, I thought to myself, I’m going to remember this moment forever.
It was a turning point, because I found I did never forget that moment. So now, I know I can fasten those moments I want to remember with that little intention, and our minds are so obedient that they obey the instructions, and can call up the images whenever they are wanted. On the other hand, I wonder if the ease of communication, the instant photos, the selfies sent from Rome or Khatmandu which reach every member of the family all over the world the same day, make it easy to forget. We don’t have to remember, because it’s all there, on Facebook or in the picture file on the computer.
But for how long? Until the internet crashes? Or some other disaster hits the net? The computer is stolen? Few people will be able to pick up old albums in the future and leaf through them re-living their own lives, or discover the lives of their ancestors. And how will biographers fare in the future? In the past we’ve had portraits and miniatures in pre-photography days; then the wonderful stilted posed photos of the early days of photography, with the expert’s head hidden under a black cloth over a tripod while he captured forever the people and that moment in their time.
Then came the brownie box camera and all the other simple do- it- yourself cameras, and families recorded their events and special moments themselves. Biographies of the famous from the twenties until the sixties are full of revealing snaps, but what will there be for future writers and historians wanting to illustrate their books about the powerful and famous? Not much, I suspect.
In the past, many anonymous photos turned out to be records of history – impromptu black and white snaps of Battle of Britain pilots ‘scrambling’, shots of families crouched in air –raid shelters from London to Leningrad, soldiers in Africa or Italy taking grainy pictures of each other to send back home… joyful hugs and kisses of victory – all these spontaneous pictures of humanity enduring both the ordeals and the pleasures of the twentieth century, captured in black and white film, are the stuff of history.
But I wonder what history is being preserved today in our somewhat ephemeral records? Will collections of jewellery or stones, in the end be the things to jog people’s memories in the future? Maybe the photos in passports and on driving licenses will the best concrete records we will have… time to get a decent picture taken for these official documents perhaps !
Food for threadbare gourmets
Summer salads don’t always mean lettuce for me… One of my favourites is grated cauliflower, mixed with chopped hard- boiled egg, some chopped Medjuel dates, toasted slivered almonds, and lots of chopped parsley. Then stir in enough good mayonnaise to the consistency you like. Chopped apple or banana is a variation, but actually anything can be added, and it still tastes good. But it can’t sit around, or it turns watery. I eat it on its own, but it’s also good with cold chicken.
Food for thought
And a poet said, Speak to us of Beauty. And he answered: Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? Beauty is not a need but an ecstasy. It is… a heart inflamed and a soul enchanted … a garden forever in bloom and a flock of angels in flight.
‘The Prophet’ by Kahlil Gibran, Lebanese poet, 1883 -1931. ‘The Prophet’ has never been out of print since it was published in 1923.
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