Tag Archives: Handel

Storms of Delight

100_0377I awoke to the roaring of a savage sea hurling itself onto the rocks below. The window is always open so that I can hear the sea.

Looking out, it was a grey wolf sea, with a steel-grey haze obliterating the islands that hover on the horizon. White capped rollers raced in across cruel grey and glacier- green water, and when the waves hit the rocks spilled over in sheets of white foam blowing high in the air. Low tide is almost more spectacular than high tide, because the water hits the rocks instead of flowing over most of them.

 Later, I put on a hood and jacket and walked out into the storm. The wind was thrashing the trees and making much the same sound as the roaring sea. First I walked to the garden of some friends overlooking the little harbour. It’s usually like a shining green jewel set deep in high rock and forested walls. It was calm, the only sign of the storm being the muddy-looking water.

 These friends own the goats and are away overseas for some weeks, so I pocketed the lemons lying under the tree. It was only a little tree, but had been so nurtured and well fed, that where one lemon would normally hang, between five and ten weighted down each fragile branch. The scent of the blossom still growing swirled round the tree before flying in the wind.

 As I walked down their long drive, between two rows of palm trees, three little speckled red hens came running out of a nearby garden, and solemnly picked their way behind me in single file. I felt like turning round to stroke them, but they weren’t keen on this. The way they followed me reminded me of Konrad Lorenz’s imprinted geese, and I hoped these little hens weren’t busy imprinting themselves on me. They gave up in the end, and returned home to where their supper was awaiting them in the hands of a pretty girl in a cream poncho.

 Strolling back in the flying rain I walked down the cul de sac to say hello to the three goats, and give them a little leafy, twiggy treat. Robert, the grumpy old billy- goat, would keep dropping his mouthful in order to snatch the little darlings’ twigs from their mouths. So I had to do a dodgy dance to try to fend him off while the babies managed an uninterrupted munch for a few minutes.

 As I turned round to come home, I heard a piteous whine. It was Zeb, the black and white pointer who lives opposite the goats, and sometimes escapes to come and see me. She had her head to the fence, hoping I’d come and say hello to her too. Of course I did, and while I was doing so, Kate, her owner, came out and asked if I’d like some new-laid eggs. Would I? So when Zeb and I had finished our tete- a- tete, I returned home the delighted carrier of six fresh eggs.

 I laid them carefully with the glowing yellow lemons on the garden seat at the top of the steps, and continued my wander in the storm. We live on a tiny peninsula sticking out into the sea, our house facing one way, and on the other side of the little neck of land, the old village graveyard faces out to sea in the other direction. Beneath spreading trees, it holds the graves of the earliest settlers in this place, and the latest inhabitants.

 I walked on the wet grass between the graves, heading for the end of the cemetery where it ends in a deep crevasse where the sea throws itself against this neck of land. Here I look down on a flat rock fifty feet below. The seas crash over it in rough weather, or lap against the sides on calm days, revealing tempting still green depths and white rock below the waterline, where I’d love to swim if I could get down there. Today it was almost invisible beneath thick sheets of green water swirling over it and spumes of foam flying through the air.

As I stood looking down here, as I so often do, I realised that every time I come here, I think of Pincher Martin, and William Golding’s description of hell. Pincher Martin scrabbling desperately to escape the raging seas, and clinging onto the slippery rock and slipping back down again into the tormenting cauldron of murderous waves… over and over again … not a pleasant remembrance, and one I try to banish, but it always comes back … just as I never see the spire of Salisbury Cathedral, in the flesh or in pictures, without thinking of Golding’s ‘The Spire’ and his painful story of spiritual disintegration. Thank goodness I’ve avoided reading ‘The Lord of the Flies’, as I know I would be tormented by that too.

Today, the wind crashing through the old pohutakawa trees – which were probably growing here when my hero, Captain James Cook sailed past in 1769 – was bringing down lots of small twigs and gnarly broken branches. When they’re dry they’re wonderful to start the fire with, and the peasant in me can’t resist gathering bundles. This was a successful foray and I returned home with a big armful of wet branches and twigs to dry out in the garage. Pohutakawa trees grow to the size of a good oak tree, and have dark green, hard, crunchy leaves all the year round. They’re sometimes called the New Zealand Christmas tree because at Christmas they’re smothered in flaming red blossom, and here, where the whole coast is ringed with them, they are a unique sight.

 And so back home to a blazing log fire, with the haunting and tender sounds of Handel’s opera Julius Caesar still ringing through my head. I went to see it for the second time in three days yesterday, five hours of it, and would see it again – and again, if it was available. Today I Googled Caesar and Cleopatra, since I only knew of Anthony and Cleopatra. And yes, Handel hadn’t messed around with history, Caesar and Cleopatra had had a love affair, she had borne his only son, and she stayed with him in Rome until his assassination.

 So well before her alliance with Mark Anthony, she had loved Caesar, and he her.Knowing this made the exquisite songs of their love affair in opera seem even more poignant.Cleopatra inveigled her way into Caesar’s presence rolled up in a carpet, and in the opera sang a song of enchantment for him. I read somewhere that Cleopatra’s glorious song to Caesar:  “v’adoro pupille” (I adore you, eyes,) is the most seductive love song ever written. I can believe it. In Natalie Dessay’s version she didn’t seduce, she poured out her heart. It was beautiful.

 And this life seems so beautiful too, with all its gifts and grace notes, allusive thoughts and memories, the stormy seas and wild winds, the hens and the goats, the centuries of music and aeons of love, the lemons, the eggs and the firewood!

 

Food for Threadbare Gourmets

 The pantry was bare. So I made a treat I haven’t made for years – cheese aigrettes. All I needed were things like eggs, flour, and grated Parmesan which I always have in the deep freeze. So into a saucepan went two oz butter and half a pint of water. When boiling I added 4 oz flour and stirred hard until the whole mixture was coming away from the sides of the saucepan, leaving it clean.

 Off the heat I mixed in 3oz Parmesan and two egg yolks, beating them in separately. Add salt and pepper, and then fold in the stiffly whisked egg whites.That’s the easy part. When the mixture is cold, drop small rough pieces, about a teasp size or bigger, into hot fat. Don’t fry too quickly or the outside will brown before it’s cooked inside. But if the fat is too cold, the aigrettes will become greasy. It takes about four minutes for  each batch to cook.

Fish them out with a slotted spoon onto some kitchen paper to drain, and serve with grated parmesan sprinkled over, and a dash of cayenne pepper. With salad, they’re crunchy, filling and delicious.

 Food for Thought

 Life, for all its agonies of despair and loss and guilt, is exciting and beautiful, amusing and artful and endearing, full of liking, and of love, at times a poem and a high adventure, at times noble and at times very gay; and whatever (if anything) is to come after it, we shall not have this life again.

From Towers of Trebizond by Rose Macaulay English novelist 1881 – 1958

 

 

 

 

 

81 Comments

Filed under books, cookery/recipes, culture, environment, great days, happiness, life/style, literature, love, spiritual, The Sound of Water, Thoughts on writing and life, Uncategorized, village life

Acorns Oaks and Art

Spring, and the oak tree we planted in the gully beyond the sitting room window has suddenly shimmered into leaf.

I treasure these first days when the young fretted edge of the bright leaves are still frilly, and brilliant green and translucent. They’ll weather into darker green,  leathery- looking foliage as the summer months go by, but this is spring, and the word is verdant. This particular oak belongs to a group known as marcescent , which means they keep their brown leaves until spring, so it’s gone from brown to green in the space of a few weeks.

One of my toddler grandsons and I grew it from an acorn which had rooted itself in one of my pots. Every time we moved house I carefully lugged it along, and every time the grandson came to stay, or visit, he inspected ‘his’ tree. Once I planted it, and it flourished for three years in a corner where it would bug no-one else by taking their light or stealing their space. But then after another heart scare for my husband, we left that three level house to squeeze ourselves into this little cottage by the sea next door to my daughter’s holiday home.

I couldn’t leave the oak behind. It was like one of my grand-children and had enjoyed nearly as much feeding and nurturing as them. So we dug it up, and re-instated it here. It’s not even on our land, but on a paper road, which legend has it was mapped out by a surveyor in England in the nineteenth century, and thus he didn’t realise he’d planned it to run straight down into the sea. So the road will never be activated, and this is a safe space for my tree.

It doesn’t spoil anyone else’s view, and there’s plenty of room for it to spread its branches. It’s grown so much in the six years we’ve been here, that it now hides the neighbouring house across the reserve, and gives me shade in summer, and lets the sun into the sitting room in winter.,

All in all, an ideal tree! I was reading the wonderful American writer Annie Dillard the other day, and she describes communing with a sycamore. She goes on to describe Xerxes, King of Persia – who on one of his marches through Asia Minor with his huge army – came upon a single exquisite plane tree, the same family as a sycamore. He was so ravished by its beauty that he halted his army and stayed there for several days in contemplation of this work of nature. She imagines his army halted, puzzled, thirsty and weary, waiting on the hot and treeless plain. And after a few days, still rapt with the glory of creation, Xerxes, warlord, invader, builder of monstrous palaces which are now lost demesnes, orders a goldsmith to be rooted out of the tents, to come and forge a medal to preserve that moment forever.

But though the Xerxes and his goldsmith couldn’t really manage to embalm that moment in time, the great composer Handel did. Written over two thousand years after Xerxes died, Handel’s opera Serse, opens with the king singing “Tender and beautiful fronds of my beloved plane tree”, from the famous largo: ’Ombre mai fu’, one of the best known pieces of classical music

However, loving beauty didn’t make Xerxes a nice person – it doesn’t, it seems… murderous Nazis like Hermann Goering collected beauty, but it didn’t rub off on them! Xerxes was the man who had the Hellespont whipped with three hundred strokes and chains dumped in it when a storm destroyed his fleet!  We won’t go into what Goering did.

But my oak, unlike Xerxes’ plane tree, is a stranger in a strange land – what is known as an exotic tree in New Zealand, where it is not a native. In its native land – England – it’s host to 284 plants, insects, birds and animals, compared with five in a chestnut, and one in a plane tree. Like my oak here, they are both alien species in England.

So in England, my oak would be hosting birds, plants, insects and creatures, from the oak bush crickets which browse in its crown, to the roe and fallow deer which seek its shade. There are bugs that feed on oak flowers, beetles that eat the bark, and caterpillars that eat the young leaves. The insects attract birds – nuthatch, tree creeper, pied flycatcher, wood warbler, (wonderful names) while the great spotted woodpecker nests in holes drilled in rotten branches.

Acorns feed jays and squirrels,  and all the wild life attracts predators like weasels and sparrowhawks.  Indigenous wildflowers grow at its roots, bluebells, primroses and wood anemones. Lichens and fungus grow on it, and mistletoe, of course, famously grows on the oak for the use of both Druids and Christmas revellers. Though the acorns are poisonous to other domestic animals, pigs thrive on them.

Yet here in New Zealand, I look out on an empty oak, which actually makes me sad. No bugs or beetles, or birds. I have to treasure it for its changing beauty alone, in a country where nearly all the trees are evergreen, and which never change with the seasons. Neither will it last for an age like ancient English oaks planted in the time of Elizabeth the First. My tree has catapulted skywards, and like the other oaks here, will reach its prime in a hundred years, and then slowly decay for the next fifty years.

So like Xerxes and his goldsmith, I just have an impression of an oak. I don’t have the essence of an oak, supporting dozens and dozens of tiny lives and plant growth, but just have to make the most of what the tree and I share – mutual love and memories of all the places we’ve lived in together. Xerxes had his tree immortalised  by Handel’s genius, so perhaps I can lay claim on Handel too, and celebrate my oak tree with  his lovely song from another opera, Semele: ‘Where e’er you walk, cool gales shall fan the breeze, trees where you sit shall cast into a shade’.

 

PS  You can listen to both Handel’s songs on Youtube, both food for the soul. Enjoy beautiful Kathleen Battle or exquisite Andreas Scholl singing ‘Ombre mai fu’, and the matchless Kathleen Ferrier or legendary Leontyne Price singing ‘Where’er you walk’. I hope you love them too.

 

Food for Threadbare Gourmets

Morning tea with friends in their airy house overlooking the harbour, all the windows open in the sunshine on the first day after we put the clocks forward for summer. Amongst other goodies we had coffee and gingerbread, and my friend gave me the recipe.

Melt 250 gm butter with a firmly packed cup of molasses or dark cane sugar, stirring to mix. Take off the heat, and add half a cup of dark rum, three quarters of a cup of full cream milk, half a cup of ginger marmalade, two large eggs and the grated rind of three oranges. Meanwhile, in a large bowl sift three cups of SR flour, two teasp baking soda, two tablesp of ground ginger, two teasp of cinnamon, one teasp each of ground nutmeg and cardamom, half a teasp of ground cloves and make a well in the centre.

Pour in the melted mixture stirring to form a smooth batter. Beat in about 120 gm of chopped crystallised ginger. Pour into a greased lined tin 23 cm square according to this recipe. Bake at 180 degrees for an hour and a half until well risen and firm to the touch. Cool in the tin. It’s better kept for two days wrapped in an air tight container before eating, and butter when you cut into slices. The recipe used marmalade instead of ginger marmalade, but I don’t like orange marmalade, and it also suggested the grated rind of two limes and lemons as well as the oranges. I wouldn’t. But I can’t wait to try my bowdlerised version, and I think I’d sprinkle some sugar on the top before baking.

 

Food for Thought.

Life beats down and crushes the soul, and art reminds you that you have one.

Stella Adler  1901 – 1992 Actress, and founder of the Stella Adler Studio of Acting in NY, and Stella Adler Academy of Acting in Los Angeles. Her students included Marlon Brando, Judy Garland, Warren Beatty, Martin Sheen, Robert de Niro, Melanie Griffiths, Harvey Keitel and others.

43 Comments

Filed under cookery/recipes, culture, environment, environment, great days, history, life/style, literature, philosophy, The Sound of Water, Thoughts on writing and life