Tag Archives: music

A friend and The Golden Key

My friend Oi ( pronounced O-ee) had ideas so advanced that even Quaker Meeting – that most liberal and open- minded Christian group – threw her out.

She was born in 1900, the youngest of ten, to a father who was sixty years old, and she died when she was a hundred and four – so the two life-times covered a hundred and sixty four years, and went back to 1840. Her father was a cabin boy on a ship that was wrecked on the NZ coast in 1856. Local Maoris formed a human chain to rescue him, and he stayed with them for some time, becoming very close to the chief. After returning to England, he came back with a seventeen-year-old bride, and the Maori chief gave him land to start his life here.

Robin, Oi’s father, established a huge sheep farm, built a big beautiful house, cottages for his shepherds, barns, wool-sheds and an exquisite little chapel, where Oi and her nine brothers and sisters played the organ and helped hand out prayer books to the shepherds and their families as they entered.. As each child arrived, the generous chief had given them Maori land. He ceremonially adopted Oi, and gave her the Maori name Oiroa, which roughly translated, means: ‘compassion for those in need’. Though it was shortened to Oi, she lived up to her name always, and when I met her was beloved by many people for very good reasons.

She married a distinguished Auckland architect – sometimes known as NZ’s Frank Lloyd Wright – who created many of Auckland’s great buildings, like the Railway Station, and beautiful private homes including some famous ones in the Hawkes Bay. Oi herself was very musical, and played the piano, and was so deeply involved in the musical life of her adopted city, that in the early thirties she and another musical aficionado, started the first orchestra in the city, whose descendant is still thriving.

She was beautiful –  and open-hearted and sweet-natured. She was also unhappily married to a much older controlling, jealous and angry man. Other men loved her, and I picked up hints over the years of tempestuous scenes and dramatic confrontations, one in which her loyal cleaning lady divested a desperate suitor of his shotgun at the front door. Oi received and declined her last proposal in her eighties.

Her zest for life never diminished, in spite of a son’s suicide, a difficult life, and much loneliness. Neither did her kindness fail, or her energy, for that matter. I was sure her inner life kept her young. She was often busy driving “old ladies” shopping until well into her nineties. She obviously didn’t feel she qualified for that label – yet! Her spontaneity and authenticity, happiness and serenity, endeared her to all ages.

I met her at Quaker meeting, where we were both what is called attenders, as opposed to members. On occasion when the beautiful and mystical silence was gently broken by a deeply felt message, if it was Oi, as she was known for short, it would be a profoundly mystical and eminently practical thought.

Throughout her life she was drawn to mysticism, a branch of the spiritual life which has always been mistrusted by organised religion, as its devotees seek union with the Source, whatever it is called, thus bypassing the need for priests, mullahs, rabbis, gurus or whatever. Whether these mystics were Muslim, as in the case of Rumi and the Sufis, or Christians like Master Eckhart, or St John of the Cross, they often came to a sticky end at the hands of their respective religions.

Luckily in the twentieth century, this fate is not so common, and Oi escaped lightly by just being blackballed by Quakers! She explored most branches of both Western and Eastern mysticism, and in her thirties, became a lover of Ramakrishna’s teachings, keeping a photo of him by her bed-side always. He practised several religions, including Hindu, Islam and Christianity, and taught that in spite of the differences, all religions are valid and true, and they lead to the same ultimate goal- God.

After Oi introduced herself to me, and invited me to her beautiful house (I had not been long in NZ then), we became close, and she became my mentor. My two small children looked on her as a grandparent and we loved going to her serene and peaceful home.

Though it was in the city, it sat among mature trees and a rambling, flowery garden with a stream. Her architect son had designed it for her. Music, in her mid-seventies, was still her passion. Sometimes I would arrive at the garden entrance, and hear the glorious sounds of a trio or a quartet streaming out of the windows, and I’d stand silently outside under the persimmon tree, listening to Mozart or Mahler.

When the children and I were there, we‘d often end up singing round the piano with the student who boarded with her, and was a brilliant pianist and lovely tenor. We’d all sing favourites as diverse as Handel’s, ‘Where e’er you walk”, to: “Feed the birds,” from Mary Poppins. I had another musical friend, Phillipa, whose unbearable life (a romance I ‘ll tell another time) was slightly improved by taking clarinet lessons, and since her ambition was to play in an orchestra, she needed practice playing with others.

Hearing about her, typically, Oi offered to play with her, and through music-making, they learned to love each other too. I was spending the day with Oi when I learned that the ship Phillipa was sailing on had caught fire, and she and her two small children, one handicapped, plus her six-month-old baby, were adrift in a lifeboat in a violent storm. I never saw them again.

Oi’s unorthodox thinking, which of course, was not confined to spiritual practises, but spread into all areas of her life, alienated her family who were very religious and ultra- conservative. She rarely saw them, so she began spending Christmas with us until one son who disapproved of us too, was shamed into inviting her for Christmas after many years.

So it was that her funeral – which was attended by all those people from all walks of life, whose lives she had touched with love and compassion – was a very traditional one… which slightly puzzled me, as I was sure Oi would have wanted something different.

At the end her family left, and only five of us gathered round Oi’s coffin as it was lowered into the void – the student – now a judge, her cleaning lady for the last twenty years, my two now grownup children, and I.

The judge said to us, “That wasn’t the sort of funeral I expected Oi to have”.                    “No,” piped up the cleaning lady, “I still have a copy of what she wanted!”

I suddenly remembered how Oi, when she was too old to cope with driving in inner-city traffic, had asked her lawyer to call in and take possession of her will for her funeral. She had showed it to me – an exquisite collection of sayings on love, from mystics of all faiths. To my horror, the lawyer had charged this beautiful old lady in her mid-nineties, an exorbitant fee.

Standing by her coffin now, the judge wept over this betrayal of Oi’s wishes. “One more thing for her to forgive her sons for,” he sobbed. We all wept with him.

Before she died, Oi gave me the books which had sustained her, and influenced her thinking, and which had helped her  find her path to expanded consciousness and freedom. One of the joys of reading them was that she’d underlined or marked the passages which sang to her. Not only did I find this a wonderful aid to a deeper understanding, both of the texts and of Oi, but it also taught me the pleasure of marking and making my books my own, which I had never dared to do before.

I’d grown up learning that books should be treated as sacred, and never marked, turned down, or in any way treated as familiar friends. I do it all the time now, knowing that others who eventually find their way to them will – or might – enjoy the same pleasures of insight and intimacy as I have done.

Oi’s words still remain in my mind, and often come back to me. When there was a problem she would close her eyes, and focus for a minute, then open them and say firmly: “You cannot know the solution.  You can only pray that the situation evolves for the highest good of you, and everyone else involved. And know that this will happen, and let it go.”

She’d quote T.S. Eliot: “It is not our business what others may think of us,”… or: “God wastes nothing”. She’d say : “Let go and let God.”… and, “Happiness is like water in the palm of your hand. If you gently hold your palm open, it will stay. But if you clutch it and try to hang onto it, you lose it.” She died thirteen years ago, but her loving wisdom sustains me still.

The gift she gave me, which I treasure the most, and use constantly, is ‘The Golden Key’, a tiny spiritual masterpiece of only a few words. I give it now with love, as Oi did, to anyone who thinks it may be useful to them… https://morningstar.netfirms.com/goldenkey.html

Food for threadbare gourmets – those of us who qualify for this description will go hungry today, as I feel this post is so long, I can’t expect you all to go on reading, while Food for thought is contained in Oi’s sayings and in her life…


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Kintsugi, art and life

I wrote a column about my collection of cracked and chipped blue and white china thirty years ago. Some people received the idea of a collection of cracked china with derision and laughter… something cracked or chipped had lost its value, usefulness and good looks was the unspoken message, or I must be too poor to have such a pointless collection instead of perfect objects.

Undeterred, in the years since, I’ve saved shattered fragments of blue and white china when I’ve dropped or broken something, intending to stick them all together in a splendid mould and make a bird bath. I still have all the bits … but though the spirit has been willing, the body has been weak, alas.

So when a few weeks ago a possum knocked a precious piece of pottery off the bird table I was heart-broken. It was a large platter given to me by its maker, a potter of some renown, whose pieces now on sale in the national museum cost more than I could ever have dreamed.

But my platter came into my hands over thirty years ago when I used to take my daughter for piano lessons with a beautiful woman who played the cello in the city orchestra and taught the piano. While my daughter tackled the music of civilisation’s finest composers, I whiled away the time chatting to her teacher’s husband, the potter, admiring his work which was all around and even then, out of my reach to afford.

They lived in an enchanting house he had built himself, and where in the romantic rambling garden black and white speckly bantam hens roamed, kicking up the flower beds with their stubby tufted legs and fearsome claws. One day the potter gave me one of his platters and a few months later by chance, another came into my hands.

I’ve always treasured them, and since I love using beautiful things for mundane purposes have always used them as bird baths. Now in our forest, I use them as bird tables for bird seed, balanced on pedestals made from other treasured ceramics. A possum must have clambered up and knocked the platter off. It had broken into three pieces. I found it when I awoke and got up to fill it with bird seed and scatter seed on the ground for our visiting quails.

Going back to bed with my early morning tea I brooded over this unexpected event, and idly let my mind roam over the five hundred-year-old Japanese art of kintsugi, when cracks or breaks in a piece of pottery or porcelain are pieced together again with glue and gold… the name means golden repairs. They become so beautiful that some pieces have been broken deliberately in order to restore them with veins of gold.

Mentioning this to my love, he immediately Googled, and over the weeks he mastered the technique, and the platter was returned to me on Christmas Day with beautiful veins of gold now holding the broken pieces together… the platter is even more beautiful than before… which is the idea … this exquisite art form has developed to become part of the Japanese philosophy of life… where respecting the past with ‘awe and reverence’ adds to the beauty of the object. It is not seen as flawed or broken, but as re-stored… not to wholeness, but to a beauty reflecting life, its impermanence and poignancy.

Since discovering the concept of kintsugi I’ve thought how though it is an old instinct brought to perfection by Japanese craftsmen, it’s also been used by so many others for so many centuries … I thought of the ancient ruined monasteries scattered around England, dissolved by Henry VIII in the 1530’s in order to enrich himself and turfing out the monks, leaving them homeless and destitute.

Local people were the ones who ruined those abandoned monasteries, dismantling exquisite abbeys, priories and friaries, and using the stones to build or enrich their own homes. Even in this day and age, I have stopped the car in a muddy lane in Cumberland to exclaim over a carved Gothic window blocked up to make part of the wall in a rough stone barn – relic of a local monastery.

I used to walk in a Devon village where the red post box was set into the thick wall of a house rising straight out of the street, which would once have been a cart-track, and next to it in the wall was a small beautifully carved blocked up window from another medieval building. These small architectural gems ennobled the old stone walls they were set in – another Japanese concept – ‘wabi sabi ‘– finding beauty in old or broken things

Shakespeare found beauty in old things, and using the principles of kintsugi, rewrote the ancient legends he had learned in his classical education at Stratford Grammar School, re-creating and transforming the stories of Anthony and Cleopatra, Julius Caesar or Troilus and Cressida – to name a few – into enduring works of art.

Not sublime works of art, but definitely kintsugi, are the pre-loved clothes – as they’re sometimes called – which a friend finds. By changing the buttons, adding a trimming, altering the neckline, edging hemlines or cuffs with contrasting fabric she turns each found item into an enviable work of art as well as a desirable item of clothing.

And there’s something touching and very sweet about the darns or patches in a piece of old linen, or a carefully repaired scrap of precious old lace. I love the chips and worn places on old painted furniture and the scratches on the polished wood of an antique table, or the kicked legs of a well-used chair.

These are the scars of a life well lived, and to iron them out, re-paint, sand them away and restore them to what is so often wrongly called ‘their former glory,’ chills my heart.  I know this means their honourable scars have been destroyed, and their character obliterated. In trying to make things look as good as new we are not honouring their past… the spirit of kintsugi.

When we were told on our personal growth courses to turn sour milk into yogurt, this was the same thing, re-creating and restoring the broken, cracked or scratched parts of our lives, and using them to teach us strength, compassion, insight. Acknowledging the hard places and tough times we had come through, and the buried pain, we were able then to see how they had shaped us.

We learned to face these times with ‘awe and reverence’, and with gratitude too, since without these scars, we would not be the people we had become. Our lives regained both magic and poignancy as we learned to see the mysterious patterns of events which we had endured and previously dismissed or de-valued.

Patterns of pain, loss, anger or despair, once recognised, became our golden repairs, our kintsugi, which enriched us and gave us a sense of the beauty of our lives. The cracks of character and kindness round our mouths, the lines of laughter softening our eyes, the deep furrows of thought and intellect above our brows became testimony to strength of character, to acceptance of the challenges faced, and rejection of bitterness or resistance.

Maybe this is why I find the faces of celebrities who have had a face lift or a botox injection rather sad… they are not honouring the medals earned by a well-lived life.

The most precious example of kintsugi in this place where we live is a diver’s rusty old tank, found while we scoured a demolition yard for re-cycled goodies. It was brought joyfully home, carefully cut in two, sanded, gently polished and re-painted, so it is a dull antique grey, with a few antique coins stuck to the circumference.

It’s mounted at the bottom of our drive with a striker made from an old fishing weight attached to a handle of weathered wood sitting by it. When visitors arrive, they ring the bell to tell us they’re here. Every day at dawn, and in the gloaming we ring our bell in gratitude. It reminds us that life is precious. And so we honour life.

Food for threadbare gourmets

We always used to have goose at Christmas when I was a child, but on the one occasion we had turkey I remember my father saying he wasn’t going to eat cold turkey or turkey sandwiches for the next week. So he devised a rechauffe of turkey eaten on rice.

Faced with lots of left-over turkey this year, I decided to follow his example. I had saved all the turkey juices, so after frying mushrooms and chopped bacon in butter, I stirred in a table spoon of flour to thicken the mixture and added the turkey juices. When this had thickened, I added chopped turkey and a little cream, salt and pepper, nutmeg to taste, and a small chicken bouillon cube.

Served on boiled rice, with peas, chopped parsley and butter stirred through, it was much better than cold turkey sandwiches!

Food for Thought

The self-actualising person is not a normal person with something added, but a normal person with nothing taken away.         Abraham Maslow

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Dancing to the music of time

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I climbed up the rusty fire escape smothered in trails of blue flowering morning glory and stepped onto the veranda of a very big two- storied, shabby white house built on the side of a volcano. The morning glory swung from trees, twisted up the fire escape, and swathed both house and garden in carpets of greenery and purple trumpet shaped flowers. With pillars, porticoes, verandas and banisters all festooned in drooping creeper, it looked like a romantic, deserted Southern mansion.

Once on the veranda I peered through the windows, and beckoned to my slightly reluctant partner in crime to join me. It was obviously the home of students or alternative life stylers on this floor, the only unusual thing about their chaotic living arrangements being the live rabbits who were hopping about the grubby carpets. Downstairs a motor bike gang who seemed to have wrecked the place, had their bikes parked inside the entrance hall.

Reader – to quote Charlotte Bronte – we bought the house. It took time to track down the owner and persuade him to sell, but we did. The room where the rabbits had bred was forever known as the rabbit room during our years in the house. The occupants moved out, but that was all. It was up to us to break down partitions, rip up revolting carpets, clean, scrub, paint and restore – including dozens of missing banisters – used no doubt for firewood. The bikies had left behind more than indescribable squalor but awful energy as well. But for the first time since its original owner the house had become a family home again, not a collection of shabby flats.

The house had been built in 1875 by a French architect for himself, described on the title as Jean le Bailly Hervei, gentleman. The first thing we did was to rip out a partition and remove a door and two huge cupboards. This revealed Jean’s conception of a huge central hall, twelve feet high, thirty feet long and ten feet wide, stretching down the centre of the house, and looking out over the harbour and then to distant hills beyond. When I stood at the huge French doors and watched the flaming sunsets or the black clouds scudding in from the hills so that I knew what the weather would be like in half an hour, I felt close to Jean le Bailly Hervei.

He designed this splendid roomy house with every French window and door opening towards the sun and these magnificent views, and each room led off from the airy hall on both the top and the bottom floors. The floor of the top hall I painted a rich pumpkin colour which picked up the shades of pumpkin and rose and purple and cream in a long Kelim rug which fitted the space. The bottom hall which matched the top, I painted white, including the floor, and blue and white curtains and matching table cloth over a round table obliterated traces of the former tenants and their bikes. My son painted his bedroom floor lime green to go with his colour scheme.

The children and the little frolicking dogs brought life and fun into the house, and music rang through all the spacious rooms – the children played the piano and their flute and clarinet – me – the stereo –  mostly Bach’s Brandenburg concertos, Beatles, Joan Baez and Cat Stevens.

One day while clearing the garden of morning glory, I found a three foot high, concrete garden gnome hidden under the greenery. We dragged him inside, and since we had friends staying and my birthday feast that night, I invited the gnome to dinner too. He presided in a chair at the head of the table and we had lots of laughter at his expense.

When we moved on, children gone, the psychiatrist who bought the house from us, an hour after it went on the market, asked me six months later at a party, what we had done to remove the brutal vibrations of drugs, alcohol, violence and fear which we had inherited. I was fascinated that a conventional medicine man should acknowledge that old energy, and that he had thought about it.

We brought colour and energy into the house, I said, along with all the books and precious things we’d loved and collected, including tapestry and patchwork cushions and crocheted bedspreads I’d made. We had bowls of pot-pourri and flowers, and often used candle- light. But the two things that must have made the real difference, I told him, were that we all meditated, and there was always music being played. I think more than anything, it was the meditation and the music, I said.

These memories came back to me today when I was reading that world-renowned neuro-scientist Oliver Sacks says that music affects the brain more than any other discipline. It is, he says, the only discipline that actually changes the physical appearance of the brain. We are designed for music, for ‘its complex sonic pattern woven in time, its logic, its momentum, and its unbreakable sequences’

In Australia in a school where they have a Music Excellence programme the students spend many hours playing rehearsing and having music lessons. At prize-givings, eighty percent of the top students receiving awards for academic excellence were also music students.

They mostly spend more than ten hours a week involved in their music and have almost no behaviour problems or any upsetting emotional or social issues even though they come from both rich and poor homes, single parent homes and every the other variation on backgrounds which could spell problems for children.

Do we know whether the music acts as a stress release, or whether it builds such emotional equilibrium and peace of mind that its practitioners can weather all sorts of stresses without problems? Maybe it doesn’t matter. What does matter to us is that we recognise the value of music, and allow ourselves to receive and enjoy its healing and strengthening properties. Some research has shown that people who learn a musical instrument are less likely to suffer from Alzheimer’s.

Music is supposed to teach basic skills such as concentration, counting, listening, and cooperation, help with understanding of language, improve memory, and help learning in all other areas. But actually, it doesn’t matter what the benefits are, it’s the sheer joy of music that enriches our lives. Perhaps it should be compulsory in schools, and be ranked along with writing and arithmetic as one of the necessities of life.

And what I find amazing is that music healed a house. Once it had dissolved the top layers of fear and anger and violence, it seemed to penetrate to other layers of energy and atmosphere… reaching through levels of sadness and regret and loss, until finally the sweetness of the music uncovered all the layers of time, and we reached the gentleness and joy of Jean the Bailly Hervei .

It was a voyage of discovery travelling back into the past and becoming aware of the lives of so many who had lived there before us. Music gathered together threads of sweet feelings from the past, and stitched them into the tapestry of life that we were adding our colours to. And it was the invisible vibrations of music which conducted us gently through those layers of time and feeling so we were able to hand on to the next owners the intangible beauty of a well-loved house. .

Food for threadbare gourmets

For these hot, dry, sunny days of Indian summer, sitting on the veranda, cicadas clattering, I like to make a spinach and salmon quiche which is good hot or cold. After lining a quiche dish or similar with thin short crust pastry – though I have used filo too, I simply pour the filling in and bake in a moderate oven for 40 minutes or until gently firm. For the filling I use 150 gm of chopped smoked salmon, a packet of frozen chopped spinach, defrosted and squeezed dry, 300 to 400mls of thick cream, three large eggs, salt and pepper. Mix everything together, adding the spinach and salmon last, and either a little grated nutmeg or a little parmesan cheese if you fancy, and pour into the partly cooked pastry case. Good with salad of course…

Food for thought

I think the sages are the growing tip of the secret impulse of evolution… I think they embody the very drive of the Kosmos towards greater depths and expanding consciousness. I think they are riding the edge of a light beam, racing towards a rendezvous with God.

From ‘ A Brief History of Everything’, by Ken Wilber, Influential American writer and philosopher.

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Art and soul – do they matter?

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On Sunday I discovered that I am a member of a tiny minority. I belong to a group of around three million people world- wide who watch the live performances of opera filmed from the New York Metropolitan Opera House! And when I watched film of the Met audience, I decided that I must also belong to an even more select group, a blogger who watches opera.  I don’t know what a blogger actually looks like, but to my mind, this collection of elegant, groomed rich people didn’t look like bloggers- would they have the time to sit over a computer? Not did my home audience of mostly elderly people look like bloggers either!

It was a Mozart opera, ‘La Clemenza di Tito‘. Then on Tuesday I spent ages poring over Clanmother’s beautiful blog with Renoir’s pictures. On Wednesday I went back to see the opera again, unable to resist it, and on Friday I rushed in to see the film ‘Anna Karenina’  before it went off. A week you could say, of culture and art. The theme of the opera was goodness and mercy, though it took even worse liberties with history than Hollywood does. This didn’t matter.

The music was sublime, the costumes and scenery a feast for the eyes, and the voices were among the best in the world. Two of the parts were what are known in opera as trouser roles – that is they were written for women’s voices, but the characters were men. Anyone who saw singer Susan Graham all in white as the long legged elegant Rosenkavalier will know just how ravishing women dressed up as men are, and these two were delectable.

Opera singers are born, not made, but to achieve the mastery needed to sing opera well takes years of voice training, learning music theory and music history, if possible mastering an instrument, learning French, German and Italian since most operas are written in these languages, learning drama, acting skills, and sometimes ballet, and for men, sword fighting  skills. For the rest of their lives, opera singers have to continue to practise and train their voices to sing different sorts of opera. Mozart’s music is the most testing and the finest training according to singers. And many have to work at day jobs to make a living.

This opera was written in the last three months of Mozart’s life, when he was travelling around the music capitals of Europe looking for a post to support his family in 1791. It appeared in the first week in September; a week later he produced another great opera,’ The Magic Flute‘, and then some cantatas, a clarinet concerto, a piano concerto, and finally his great Requiem before dying on the 6 December. What inspired creativity in the last three months of his life, and typical of his lifelong astonishing output, having begun composing when he was five .

The pictures of Renoir throb with joie de vivre and utter beauty. Each exquisite picture, whether flowers, dancers, portraits or landscape are radiant with life and light. To see one is exciting, to see a collection of them is breath-taking … In spite of acute arthritis in his hands, Renoir went on painting into extreme old age, and the joyousness and celebration of beauty are always there.

‘Anna Karenina’ is considered to be one of the greatest novels in western literature… though some beg to differ, myself among them. At the end of this sumptuous production, with jewels and dresses to die for, I felt a distaste at having watched a collection of worldly people with no self awareness make a hash of their lives! This novel, along with ‘War and Peace’ are Tolstoy’s masterpieces, for he spent most of his later adult life trying unsuccessfully to reform his errant ways, and then trying to reform the world, gaining a controversial reputation as a reformer. He preached peace and inspired both Ghandi and Martin Luther King.

So in one week I had had a feast of some of the world’s great artists. Beverley Sills, the American soprano once said that: “arts are the signature of civilisation”, and it worries me sometimes that this signature is getting more and more illegible. In a film on Beethoven a couple of years ago, I heard a magnificent German bass agonising over what he called the dumbing down of our culture – referring amongst other things to cheap music, Facebook communication,  and the shallow snippets of sensational news on radio and TV – he was comparing them with the profundity of Beethoven .

I would also have added to his list new Bible translations which are no longer literature, but banal religious tracts, and the sort of art that wins prizes these days – someone’s unmade bed adorned with stubbed out fag-ends and grubby sheets, or a skull covered in diamonds. Both the perpetrators of these masterpieces are now rich and famous on the strength of them…

Taoist philosophy suggests that art awakens a response in the mind and soul and it is important that it should evoke the higher not the lower nature. And that is what the art that I revelled in this week did for me. It lifted me above the daily round and common task, the disappointments and frustrations of a rather difficult week, and reminded me of actress Stella Adler’s words: ‘Life beats down and crushes the soul, and art reminds you that you have one.’ Yes, I think art matters…

 

Food for Threadbare Gourmets

Frangipane is the delicious almond base in many fruit tarts. It’s easy as…you just need four oz of butter and four oz of sugar, two eggs, one oz flour, 5 oz ground almonds, one teasp vanilla essence, and half a teasp of almond essence. Just beat them all together, and spread on top of the pastry. Then press down in it the fruit of your choice. This is only one of many recipes, some use more eggs, others use more almonds. I keep my ground almonds in the deep freeze so that they are fresh and don’t go rancid.

 

Food for Thought

Oh great Creator, grant us one more hour to perform our art and perfect our lives.     Jim Morrison 194 – 1971  Poet and songwriter who died unexpectedly in Paris at 27

 

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Imagine if We Did

John Lennon seems to be around at the moment. I watched him singing’ Imagine’ on George-B’s blog EuCaSia and read about him quoting his mother on happiness at onthehomefrontandbeyond.

He was never my favourite back then in Beatle-mad times. My teenage cousin who used to come and stay with me in the holidays from her boarding school, introduced  them to me.

I was bogged down with two tinies under two, no washing machine, boiling and rinsing the nappies by hand, drying them one by one in front of the fire, since they froze solid if I hung them out in the bitter cold, and was an exhausted slave to housework in the very large rented 15th  century manor house that we lived in.  My brilliantly intelligent and flighty young cousin produced Norwegian Wood, which as someone who lived and breathed Vivaldi and Bach, Beethoven and the rest, I looked on with some suspicion.

I let her use my gramophone, and bingo – their energy and zest for life kick-started me. ‘ Michelle, ma belle’ … ‘I wanna hold your haaaand’ … I could hardly bear to let her go back to school taking the record with her. I loved their exuberance, their cheekiness, their vitality – and their music. Eventually I could afford my own records, and acquired the rest as they came out. I waited longingly for Sgt Pepper’s Lonely Heart Club Band, by then an increasingly depressed housewife in Hongkong. The Beatles and Bob Dylan brightened my life…

I could never see what people saw in Paul, apart from a cheeky charm, and amazing talent. Ringo, of course was not a heart throb – was he? John Lennon… I found him rather brash and tough, but George – now we’re talking. Tall, handsome, withdrawn and interesting, and very nice waistcoats. Above all it was his interest in the spiritual life that drew me to him.

Then along came Ono. Perhaps if none of them had married, they’d still be together, but being the men they were, both Paul and John married powerful, talented interesting women, who changed the whole dynamic of the group.

Like Linda McCartney, Ono was an artist in her own right, though I’ve never understood her art. She’s won countless prizes over the years since John’s death, the last one this year, being the Oscar Kokoschka Prize, Austria’s highest award for contemporary art. Her achievements are too numerous to name, and her awards are for her genius in merging pop art with avant garde. That may make sense to some people, but it’s double dutch to me. The one thing I do understand was her concept of the wishing tree, a beautiful idea which has now spread.

When Ono met John, she was seven years older than him, born in 1933. She had already been married twice, and had had a daughter who’d been kidnapped by her American father and who Ono never found until the daughter was grownup. Ono came from an aristocratic Japanese family, descended on her father’s side from the Emperors of Japan.  During the war when her father was separated from the family, her mother and her siblings became destitute. They survived the fire – bombing of Tokyo, and fled to the mountains where they bartered their remaining possessions for food.

After the war, when the family were re-united, Ono went to the exclusive peers school in Tokyo, and shared a classroom with Prince Akahito, now the Emperor of Japan. When the family moved to the US she attended Sarah Lawrence College. She’d already had exhibitions and performed when she and John got together.

Before their marriage and their famous lie-ins for peace, they had had a turbulent on-off relationship, and they both underwent primal therapy, which is usually a life-changing process. Ono was never going to be a star-struck wife. When she became pregnant she agreed to have the baby if John became a house husband so that she could get on with her career. He did. He gave up his music and spent five years looking after his baby son.

When I watch him singing ‘Imagine,” it’s like watching a different person to the brash young Beatle who repelled me. His face is lean and calm, chiselled by profound inner experience. Five years away from the screaming crowds, the insane  celebrity, the constant performing; five years devoted to being at home with a baby who needed him; five years in which he had lived an inner life, had given his face the purity of an early Christian ascetic.

Watching him sing’ Imagine’, with deep conviction and a commitment to the peace of the world,  is like watching someone singing a sacred song. Which it was, and is. His haunting plangent tones and inspired words go straight to the hearts of all who are open to that longing for peace on earth.

Seeing him sing, and seeing that inner light emanating from him, makes me feel that his death was not untimely, or a cutting off of his talents. In hindsight, he seemed to have reached a point where he had done what he had come to do – used his talents for mankind, and discovered inner peace for himself.

The ones who perhaps suffered the most were his children. Ono took up with an antiques dealer four months after John’s death, in a stable relationship that lasted until 2001, and has continued on her stellar path. Her commitment to peace has never wavered.  And for us –  ‘Imagine,’ is still the prayer of so many of us too.

 

Food for Threadbare Gourmets

Still thinking broccoli, it’s so cheap and plentiful at the moment. I use it for a light lunch, and this dish is a lovely easy one to serve to a few girls with hot rolls and a glass of wine… followed by good coffee and a nice pudding or piece of cake.

Break the broccoli into sprigs and steam. At the same time put two cups of cream into a saucepan, and break into it pieces from two of those segments of sharp blue cheese – Danish or similar. Stir all the time until the cheese is melted and amalgamated.  It’s quite nice with a few small lumps of cheese left in it. Just pour this over the fresh steamed broccoli. This is plenty for two, double the quantities for four. It’s good to have the rolls to mop up any sauce left over. It can also be re-heated. I’ve even dropped a left- over dollop into broccoli soup.

Food for Thought

This thought is dedicated to Maggie at somethingfathappened.wordpress.com and her devoted readers will know why:                                  Long ago when men cursed and beat the ground with sticks it was called witchcraft. Today it’s called golf.                                                             Cherokee Indian, cowboy, entertainer, newspaper columnist, film star. Died when his plane crashed in 1935

 

 

 

 

 

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Acorns Oaks and Art

Spring, and the oak tree we planted in the gully beyond the sitting room window has suddenly shimmered into leaf.

I treasure these first days when the young fretted edge of the bright leaves are still frilly, and brilliant green and translucent. They’ll weather into darker green,  leathery- looking foliage as the summer months go by, but this is spring, and the word is verdant. This particular oak belongs to a group known as marcescent , which means they keep their brown leaves until spring, so it’s gone from brown to green in the space of a few weeks.

One of my toddler grandsons and I grew it from an acorn which had rooted itself in one of my pots. Every time we moved house I carefully lugged it along, and every time the grandson came to stay, or visit, he inspected ‘his’ tree. Once I planted it, and it flourished for three years in a corner where it would bug no-one else by taking their light or stealing their space. But then after another heart scare for my husband, we left that three level house to squeeze ourselves into this little cottage by the sea next door to my daughter’s holiday home.

I couldn’t leave the oak behind. It was like one of my grand-children and had enjoyed nearly as much feeding and nurturing as them. So we dug it up, and re-instated it here. It’s not even on our land, but on a paper road, which legend has it was mapped out by a surveyor in England in the nineteenth century, and thus he didn’t realise he’d planned it to run straight down into the sea. So the road will never be activated, and this is a safe space for my tree.

It doesn’t spoil anyone else’s view, and there’s plenty of room for it to spread its branches. It’s grown so much in the six years we’ve been here, that it now hides the neighbouring house across the reserve, and gives me shade in summer, and lets the sun into the sitting room in winter.,

All in all, an ideal tree! I was reading the wonderful American writer Annie Dillard the other day, and she describes communing with a sycamore. She goes on to describe Xerxes, King of Persia – who on one of his marches through Asia Minor with his huge army – came upon a single exquisite plane tree, the same family as a sycamore. He was so ravished by its beauty that he halted his army and stayed there for several days in contemplation of this work of nature. She imagines his army halted, puzzled, thirsty and weary, waiting on the hot and treeless plain. And after a few days, still rapt with the glory of creation, Xerxes, warlord, invader, builder of monstrous palaces which are now lost demesnes, orders a goldsmith to be rooted out of the tents, to come and forge a medal to preserve that moment forever.

But though the Xerxes and his goldsmith couldn’t really manage to embalm that moment in time, the great composer Handel did. Written over two thousand years after Xerxes died, Handel’s opera Serse, opens with the king singing “Tender and beautiful fronds of my beloved plane tree”, from the famous largo: ’Ombre mai fu’, one of the best known pieces of classical music

However, loving beauty didn’t make Xerxes a nice person – it doesn’t, it seems… murderous Nazis like Hermann Goering collected beauty, but it didn’t rub off on them! Xerxes was the man who had the Hellespont whipped with three hundred strokes and chains dumped in it when a storm destroyed his fleet!  We won’t go into what Goering did.

But my oak, unlike Xerxes’ plane tree, is a stranger in a strange land – what is known as an exotic tree in New Zealand, where it is not a native. In its native land – England – it’s host to 284 plants, insects, birds and animals, compared with five in a chestnut, and one in a plane tree. Like my oak here, they are both alien species in England.

So in England, my oak would be hosting birds, plants, insects and creatures, from the oak bush crickets which browse in its crown, to the roe and fallow deer which seek its shade. There are bugs that feed on oak flowers, beetles that eat the bark, and caterpillars that eat the young leaves. The insects attract birds – nuthatch, tree creeper, pied flycatcher, wood warbler, (wonderful names) while the great spotted woodpecker nests in holes drilled in rotten branches.

Acorns feed jays and squirrels,  and all the wild life attracts predators like weasels and sparrowhawks.  Indigenous wildflowers grow at its roots, bluebells, primroses and wood anemones. Lichens and fungus grow on it, and mistletoe, of course, famously grows on the oak for the use of both Druids and Christmas revellers. Though the acorns are poisonous to other domestic animals, pigs thrive on them.

Yet here in New Zealand, I look out on an empty oak, which actually makes me sad. No bugs or beetles, or birds. I have to treasure it for its changing beauty alone, in a country where nearly all the trees are evergreen, and which never change with the seasons. Neither will it last for an age like ancient English oaks planted in the time of Elizabeth the First. My tree has catapulted skywards, and like the other oaks here, will reach its prime in a hundred years, and then slowly decay for the next fifty years.

So like Xerxes and his goldsmith, I just have an impression of an oak. I don’t have the essence of an oak, supporting dozens and dozens of tiny lives and plant growth, but just have to make the most of what the tree and I share – mutual love and memories of all the places we’ve lived in together. Xerxes had his tree immortalised  by Handel’s genius, so perhaps I can lay claim on Handel too, and celebrate my oak tree with  his lovely song from another opera, Semele: ‘Where e’er you walk, cool gales shall fan the breeze, trees where you sit shall cast into a shade’.

 

PS  You can listen to both Handel’s songs on Youtube, both food for the soul. Enjoy beautiful Kathleen Battle or exquisite Andreas Scholl singing ‘Ombre mai fu’, and the matchless Kathleen Ferrier or legendary Leontyne Price singing ‘Where’er you walk’. I hope you love them too.

 

Food for Threadbare Gourmets

Morning tea with friends in their airy house overlooking the harbour, all the windows open in the sunshine on the first day after we put the clocks forward for summer. Amongst other goodies we had coffee and gingerbread, and my friend gave me the recipe.

Melt 250 gm butter with a firmly packed cup of molasses or dark cane sugar, stirring to mix. Take off the heat, and add half a cup of dark rum, three quarters of a cup of full cream milk, half a cup of ginger marmalade, two large eggs and the grated rind of three oranges. Meanwhile, in a large bowl sift three cups of SR flour, two teasp baking soda, two tablesp of ground ginger, two teasp of cinnamon, one teasp each of ground nutmeg and cardamom, half a teasp of ground cloves and make a well in the centre.

Pour in the melted mixture stirring to form a smooth batter. Beat in about 120 gm of chopped crystallised ginger. Pour into a greased lined tin 23 cm square according to this recipe. Bake at 180 degrees for an hour and a half until well risen and firm to the touch. Cool in the tin. It’s better kept for two days wrapped in an air tight container before eating, and butter when you cut into slices. The recipe used marmalade instead of ginger marmalade, but I don’t like orange marmalade, and it also suggested the grated rind of two limes and lemons as well as the oranges. I wouldn’t. But I can’t wait to try my bowdlerised version, and I think I’d sprinkle some sugar on the top before baking.

 

Food for Thought.

Life beats down and crushes the soul, and art reminds you that you have one.

Stella Adler  1901 – 1992 Actress, and founder of the Stella Adler Studio of Acting in NY, and Stella Adler Academy of Acting in Los Angeles. Her students included Marlon Brando, Judy Garland, Warren Beatty, Martin Sheen, Robert de Niro, Melanie Griffiths, Harvey Keitel and others.

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Rambling through Youtube

I had the haunting Irish tune of ‘Down By The Salley Gardens’ on my mind and turned to lovely Youtube. I did the rounds, Kathleen Ferrier- sublime, Orla Fallon – beautiful,  Marianne Faithful – shallow, and Clannad, performing authentically in an Irish pub – haunting, wistful, and satisfying. And as I flitted from one version to the next, I stumbled on William Butler Yeats himself, reading his poem (though it was based on an old Irish folk song).

It was magic listening to the real voice of the poet, and reminded me what a gift recording is. I never had much time for Yeats in his monocle and black cloak, who left Wilfred Owen out of the Oxford Book of English Verse because he suspected Owen of pacifist sympathies. Yeats, in his fifties, didn’t fight in the war, but Owen was in the trenches for the whole four years, writing the finest war poetry, and dying in an attack across a canal in the last week of the war. So Yeats, born in 1865, doesn’t do it for me, but to hear his voice, echoing across historic centuries was still a thrill.

On the sidebar, there was Virginia Woolf reading on the BBC in 1939, a year before she walked into the river, and never came back. It’s the only recording we have of her. I clicked – of course – and listened to this wonderful voice reading her thoughts on words, entranced as her imagination soared and she opened new worlds of ideas. Her beautiful diction and resonant tones gave an idea of the layers of meaning and perception that she applied to life and art.

Then Alan Rickman showed up at the side, reading Shakespeare’s sonnets. Hearing  that mellifluous voice, reading the cadences of Shakespeare’s phrases and innermost thoughts was so moving. But since Harry Potter is never far from us these days, there was Rickman also in his role as Severus Snape. And once hooked into the world of Harry Potter, I couldn’t go past Emma Thompson as Sybil Trelawny in a scene which has never been shown, as it was cut. Shame. I laughed till the tears ran down my face as she tried to eat her meal in a state of total panic and confusion – doesn’t sound funny, I know, but you haven’t seen it.

I was watching, of course, a master, as were Rickman, Woolf and Yeats. Watching or hearing a master is an experience which stirs the soul. Sitting at a concert of Joan Sutherland , every time she came on stage and that glorious sound rang out, the tears just rolled down my cheeks. Listening to Yehudi Menuhin was like entering a mysterious world of spirit, and sitting motionless, holding my breath, as Kathleen Battle, in black with a cyclamen pink stole about fifteen feet long, sang to a packed hall of spellbound concertgoers is one of my treasured memories.

Masters reveal a world of universal connections, and seeing a Leonardo or a Michelangelo takes us into that same world of universal values of beauty and truth. But one of the favourite books on my shelf is a collection of sonnets to the woman he loved, by Michelangelo, and I love them precisely because he was n’t a great poet, as he was a great artist. In his poetry he shows the side of him that struggles with the same ordinariness – or perhaps I mean common humanity – as the rest of us. As an amateur poet, he is exposed in these poems, while in the mastery of his art, it’s his greatness that we see.

So while I am awed by, and grateful for mastery, there is something very beautiful about amateurishness. Many years ago, on New Year’s Eve at a party in Somerset, I had struggled all evening to look as though I was having fun with a group of people I didn’t know, and had nothing in common with. I was staying with friends, who had taken me with them. As midnight approached, we all gathered in the main hall of the castle, and a man asked if there was anyone who could accompany him on the piano. With no takers, he said he’d sing anyway. I cringed, wondering if he would embarass himself.

And so began one of the loveliest moments of my life. He sang ‘My love is like a red, red rose’. Not professionally, but honestly and lovingly. All our egos which had jostled and struggled to keep their ends up all evening stood transfixed. A long silence followed the ending of the song, and there was a softness in the room and on the faces of everyone. The evening changed. His courage in exposing himself to us all had somehow broken the barriers that separated us. Warmth and kindness showed in every face.

I’ve heard another song sung like that in a voice that had no training, and nothing to recommend it except sweetness of tone, and sweetness of character. And it was just as moving. So while mastery is a sublime experience, the love and honesty that we lesser mortals have to offer, is just as precious in its own way.

 

Food for Threadbare Gourmets

If we’re having something ordinary to eat, and I need to give it a bit of a lift, I make our family favourite, culled years ago, from the pages of Elizabeth David. I only used to make it at Christmas, for the adults, but one memorable year, the grandchildren discovered it, and gobbled it up under the affronted and greedy gaze of all the grownups. So now I make about three dishes of it, and there is a great big potato peeling bee on Christmas Eve, and some of the children eschew the turkey, plumping for the potatoes, and only moving on to the rest of the feast later. If there’s any left over, they eat them for breakfast! So I always make it now when the family come, and often for dressy meals with friends.

All you need are potatoes, garlic and lashings of cream. I use Agria potatoes, which mash well, and also in this dish, absorb the cream. Slice the potatoes thinly into rounds, and pat them dry. Butter a shallowish baking dish, and layer the potatoes in, every now and then anointing the layers with salt and pepper, chopped garlic and a few knobs of butter. When the dish is nearly filled, dot the top with butter and pour in as much cream as you need to nearly cover the potatoes. Bake for an hour or more in a moderate oven. If the cream has dried up by the end, I pour more into the crevices, and put back in the oven for a few minutes. It can be cooked the day before and re-heated, but give it plenty of time. It’s delicious with any meal, and with a few vegetables is also a lovely vegetarian meal.

 

Food for Thought

Ad on Trademe: One toothpick with a FREE son included ( I’m sure there is some law which forbids me trafficking in humans, hence the toothpick)…being a teenager he requires large amounts of food (meat and candy mostly, despite the fridge being full of fruit and veg.) Uses power enough to run a small town ( computer, TV, PlayStation and assorted electrical gadgets as well as always leaving the fridge door open) Unfortunately he is short-sighted and unable to see unwashed dishes, grime, towels on the floor or skid marks. Requires 14 hours of sleep per day. Needs a soundproof room as he either slaughters pigs in there or plays heavy metal (sounds the same to me)

Don’t suppose he managed to get rid of him… there’s a glut of teenage boys like this, I suspect.

 

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