Tag Archives: jane austen

October 19, 2019 · 10:57 am

Castaway Books

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I sometimes torture myself by imagining I’m on a desert island and can only take ten books with me. I look around at the walls of book-shelves  in the sitting room and bedroom and spare room, and wonder how to whittle them down to the ten most treasured books I wouldn’t want to be without.

As in the BBC radio programme, no Shakespeare or the Bible allowed, though I’d be sad to let the Bible go – not for religious reasons – but for the sheer poetry of the prose and the beauty of so much of the writing, for some of the stories embedded in the teachings… like the story of Ruth for example, or the Song of Solomon… and the Beatitudes, and ringing phrases like: ‘I am as sounding brass or a tinkling cymbal if I have not charity’ .. or the exquisite words of Psalms like 139, which ends with: ‘…’if I take the wings of the morning and dwell in the uttermost parts of the sea, even there shall thy hand find me, and thy right hand shall hold me’.

But having surrendered the Bible what would I take? Bernadine Evaristo, this year’s Booker prize-winner, says she hates Jane Austen and Virginia Wolfe… but while l’d agree about Virginia, as an afficionado who used to read Jane Austen’s six novels once a year, I’d have to disagree with her findings on Jane. (Real Austen fans are called Janeites. I once wrote a piece for an anthology of raves about Jane Austen, and attending the book launch party was somewhat bemused to find myself among some fans wearing long Regency dresses, and sporting shawls and fans)

Which of the six would I take? No contest. In my younger days, I’d have plumped for ‘Pride and Prejudice’… or ‘Persuasion.’ But now I’d go for ‘Mansfield Park’ which I used to think was the dullest of her books. Now it’s my favourite. I love the picture of Georgian country life, the amateur theatricals with all the tensions and emotional turmoil, and the irritating, contradictory and sparkling array of people, especially the two villains, who’re the most attractive characters in the book. But most of all, I love that picture of elegant English country life in my favourite period of history before the Industrial Revolution, when squalor and hardship and smoking factory chimneys had not altered forever a peaceful pastoral society.  (Even if they didn’t have good dentists).

To balance that picture of aristocratic country life I’d take Thomas Hardy’s ‘Far from the Madding Crowd’, my favourite of all his books, crammed with authentic country lore and farming custom, just slightly later in time that Austen’s novel.

And to round off this wallowing in homesickness for another time and place while on that desert island, I’d take George Eliot’s tome, ‘Middlemarch’, a great book described by the despised Virginia as  ‘the magnificent book which with all its imperfections is one of the few English novels for grown-up people.’

It’s a huge canvas describing with acute psychological insight many typical characters of both town and country in early Victorian England. For me, it’s a picture not just about English town life of that period, but a profound study of character, both shallow and profound, of good and evil in the shape of materialism, and of the compromises demanded by society. So, nostalgia and homesickness sorted – there’s several more choices to go.

Top of the list would be Barbara Tuchman’s splendid history, ‘The Guns of August’, an account of the first ten days of WW1, but fleshed out with vivid and witty accounts of how Europe got to that point, and an analysis of the main protagonists… fascinating history, accurate psychology, and telling insights, all delivered with wit and humour, so that often I find myself chuckling as we traverse the terrible terrain of one of the great turning points in the history of Europe.

I would have to take ‘The Snow Leopard’ with me, by Peter Matthiesson. It’s the story of his journey into the remotest regions of the Himalayas on his search for the then almost never seen and legendary snow leopard. It’s a many layered tale with deep spiritual undertones, and read like all these other books, many, many times.

Getting a bit panicky now, with only three more choices to go. I think I’ll reach for Truman Capote’s story of love and war, ‘The Grass Harp’. It’s told with deceptive simplicity, the characters utterly loveable, and gloriously eccentric as despair drives them to desperate measures. They are the odd ones out, who finally step outside the norms of society to assert their individuality, and when they say what they feel, they slice through the hypocrisies and cruelty of narrow-minded small-town officialdom.

I love diaries and have a huge collection of them, ranging across time, from seventeenth century Samuel Pepys and John Evelyn in Charles 11 reign, to Georgian Parson Woodford and Parson Gilbert White, Victorian Francis Kilvert, through to the two world wars, to the randy diaries of Alan Clark, the notorious womaniser and politician, and the delicious, hilariously funny fictional diaries of Adrian Mole, my favourite being ‘Adrian Mole and the Weapons of Mass- Destruction.

I toyed with the last of the Bloomsberry’s, Frances Partridge’s  ‘A Pacifist’s War’, her diary filled with details of an idyllic life in the beautiful country house where the painter Carrington lived with writer Lytton Strachey before his death and her suicide. Her war years are peopled with a stream of intriguing/incestuous Bloomsberry illuminati who came and feasted with Ralph Partridge and Frances while dwelling on their moral high-ground as conscientious objectors.

I decided on something more uplifting. Inspiring integrity was what I was looking for. Should I take Alanbrooke’s war-time diaries, or Cadogan’s account of appeasement and diplomacy before and during the war, or Klemperer’s diary chronicling the terror of the Nazis, and his worry about the fate of his beloved cat? It finally had to be put down when Jews were no longer allowed to keep pets. Klemperer, a distinguished university professor, ended up in the bombing of Dresden which allowed his wife and he to disappear in the chaos, the only positive thing I’ve heard about that raid.

No… I finally settled on the two volumes of John Colville’s diaries. He was Churchill’s private secretary during the war, and the parade of kings, queens, statesmen and generals, society ladies and foreign diplomates makes absorbing reading, quite apart from the affectionate and admiring portrait of the great man himself.

Throughout the cliff-edge years of war, Churchill is revealed as an irascible but brilliant, kind, intelligent and chivalrous aristocrat in the best sense of those words, without a trace of snobbery or small mindedness. Perhaps too original and spontaneous to be described in conventional terms as a gentleman, he emerges as a magnificent human being who poured his huge stores of energy, humanity and vision into his country and the struggle against one of the greatest tyrannies in history.

The last and tenth book is a tantalising choice, trying to choose between two of my favourite diaries. ‘Mrs Milburn’s Diary’ is written by a woman with no literary talent, but an abiding love for her only son, who was captured before Dunkirk and endured POW camp for the rest of the war. Her letters sent via the Red Cross, and his to her were usually months old by the time they reached their destination, so she began writing a diary chronicling life in his home and family and community.

It’s a prosaic day to day telling about the price of woollen vests going up, the annoying man at Matins every week who coughs all the way through and ruins the service, the evacuees who stay briefly, the long cold nights sitting in their primitive underground air raid shelter in the garden – doubly important to them-  as they lived in the country outside Coventry, and lost many friends in the catastrophic bombing raid which destroyed that city. It’s an insight into a way of life now gone… when, even during the war, she picked primroses every spring in the woods, packing them up in damp cotton wool and sending them to friends in the city.

She records the routines of church going, weekly shopping, Mother’s Union meetings, working for the WVS (Women’s Voluntary Service) dealing with the erratic gardener, the feckless land girls, a chaste glass of sherry shared with old friends. The annual rhythms of the seasons’ rituals celebrate a slice of civilisation which had its own small satisfactions, sorrows and minor victories.

Or, do I go for ‘Burning,’ a diary of a year living in the Blue Mountains in Australia? Kate Llewellyn is a poet, and her book is crammed with exquisite metaphors and similes, quirky people, precious moments of beauty, meditations on history, recipes, travels and gardening. I read it often, not just for the drama of human tragedy and pain which also takes place during that year, but for the sheer beauty of the writing.

As CS Lewis observed, ‘we do not enjoy a story fully at the first reading. Not till the curiosity, the sheer narrative lust, has been given its sop and laid asleep, are we at leisure to savour the real beauties’. He also suggested that someone who only reads a book once is ‘unliterary’, whatever that means! But I certainly agree with him on both counts when he says “You can never get a cup of tea large enough or a book long enough to suit me.”

So I can’t decide between these two life stories – regularly ‘savoured’, and will beg my invisible and sadistic inner voice to let me have them both… to have whittled down my choices to eleven from hundreds of books is no mean feat, which meant leaving out precious favourites like Leigh-Fermor’s ‘A Time of Gifts’, his vivid description of European civilisation before the Nazis destroyed it

As I mulled over this imaginary exercise, and visualised myself roaming a tropical paradise, alone like Robinson Crusoe, I realised that by choosing a handful of books to be my companions in this solitary life, I wasn’t using any carbon footprint, and many of the books were recycled – bought from second-hand bookshops around the world via the internet, or acquired from op-shops and the like.

Many of them of them too, like Capote’s ‘The Grass Harp’, I’ve owned since the sixties, and are worn from regular loving re-readings when I savoured every aspect of the writing and the human condition. In a book on educating children read in the seventies, I found a wonderful thought, that literature is the logbook of human experience, and that’s how it seems to me too.

For this solitary island existence, Christopher Morley, an American writer, gave me words that seem particularly apt: ‘when you get a new book, you get a new life –love and friendship and humour and ships at sea at night -… all heaven and earth in a book.’

The written word survives e-books, the internet, texting and all the other apparent advantages of technology. It has been with us from the earliest times, when the Sumerian civilisation evolved writing around 3,000 BC, and the first literature was created by a Sumerian author a thousand years later. Books and words may be the one blessing and means of communication that survive in the aeons to come.

Books will always be the ‘log-book of human experience’, and can hand on the riches of our civilisation to generations still unborn. And for the present, they can be a comfort, a companion and a treasure. They inform and educate, amuse, console, entertain and inspire. They are indispensable and irreplaceable. They make life on a desert island bearable!

Food for Threadbare gourmets

We’re living dairy free at the moment for various reasons, and I discovered to my delight that it’s perfectly possible to make a decent white sauce using olive oil instead of butter.

So using the juices from a roasted chicken from the night before, I made a rechauffe… fried some chopped bacon and mushrooms, made the sauce, and stirred a bouillon cube and the chopped cooked chicken, bacon and mushrooms into it. Flavoured the mix with salt, pepper and nutmeg, and served it on rice.

To cheer up the plain boiled rice, I fried a grated courgette in olive oil and garlic, plenty of salt and pepper and stirred it into the rice. We ate it all with green beans and didn’t miss the cream or milk at all!

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February 1, 2018 · 10:38 am

Flowers, beauty, architecture and antiquity

Image result for image of The Old Parsonage Hurworth Co durham
The Old Parsonage
A life –  Part  six

After a few weeks in London we packed up again and travelled north. I remember the cooing of wood pigeons and the enchantment of high summer in unspoiled country on the borders of Durham and Yorkshire, where my parents had found a house belonging to a friend of the family. It was in a village by the River Tees, described in the guide books as a ‘late medieval house, with studded front door with affixed carved oak female head, under ogee-shaped lintel (door said to have come from a demolished Saxon chapel).

‘The date on the lintel above the door is c1450, the reign of Henry VI. The house had been through many hands since then, had been extended in the 17th century, altered in the 18th and equipped with modern comforts in the 20th. Fashionable pantiles from the Low Countries were used to re-roof the house in the 17th century. Today it’s been altered again, and one wing converted into another dwelling.’

It was set in a high walled garden at the end of the village, and we spent most of our time in the sitting room, a wood panelled room with huge Tudor fireplace and inglenook. If I stood on the head of the tiger on the striped tiger-skin rug, I could just reach the chamfered 17th century beams as a nine- year- old. The casement windows looked onto the garden, and beyond the garden walls, hills and woods stretched to the sky-line.

We children were rarely allowed into the drawing room, and then, only if we knocked on the door beforehand. Mostly we stood at the door with whatever it was we wanted to say, but were allowed to sit there when guests came or when we had our lessons. I hankered to spend time in that room, a Georgian addition with French windows into the garden. It was simply furnished with soft flowered chintz, but it had a different atmosphere to the rest of the house – a refined, gentle energy compared with the robust Tudor architecture elsewhere.

I loved the slightly faded thirties linen prints on the loose covers on the sofas and chairs, and the black and white tiled hall with its antique chests and barometer. I developed a love of interior decoration and from then on felt uncomfortable in rooms that were ugly or tasteless, and was hungry for beauty when it was absent.

My new stepmother, who was lonely, and needed someone to talk to, unconsciously educated me too, looking through the pages of Vogue with me, and discussing the famous and controversial New Look by Dior. She wore clothes that I could appreciate, well-cut grey flannel trousers with a red jacket, elegant suits, nifty little hats with a bit of veil, perched at an angle, incredibly high navy suede court shoes, and severe beautifully cut evening dresses.

Everything was new and interesting, the stones in her jewellery, discussing menus, the intriguing friends who dropped in on their return from overseas, learning to distinguish crystal from glass, china from pottery. We didn’t always see eye-to eye. I was deeply upset when the revolving Victorian summer house with stained glass windows, a pointed pitched roof, and a circular table like a wheel which turned the house in the direction of the sun, was demolished, and the circle of soil now exposed, planted with grass. It seemed barbaric to smash this thing of beauty. My stepmother condemned it as Victorian. Anything Victorian was despised by both my parents.

This rambling house was a splendid place to curl up in and bury myself in a book. They were in short supply here. The owner had put hers away, and ours were all packed up. My stepmother gave me her textbooks on ancient history, so I learned about Pericles and Alexander, Carthage and Hannibal, there was Tanglewood Tales’, a book on Greek legends by Nathanial Hawthorne, and ‘ Black Beauty’, that animal classic which has influenced me more than any other for the rest of my life, I suspect.

Whatever the curse of the motor car, I am glad horses are no longer ill-used, neglected and exploited every day on the streets and in the country-side. “Little Women’, also among my stepmother’s books, had the same potent moral influence on me, as on so many other girls before and after. Interesting that the Quaker background of Anna Sewell, and the Transcendentalism of Louisa M. Alcott should have influenced so many generations of children.

I grazed through Palgrave’s ‘Golden Treasury’, which our stepmother used for our lessons. She was not strong on child psychology, but we learned a lot of poetry from the Golden Treasury, including: “Breathes there the man with soul so dead,” from Walter Scott, and Elizabeth Barrett Browning’s ” What was he doing, the great God Pan, down in the reeds by the river?” I can still declaim them both in the overblown elocution class style required of us. Longfellow’s Hiawatha was another favourite of my stepmother, and we learned to recite long passages of this too.

My sister got very ratty if she didn’t do the same things as me, so she tried to learn them as well. But she never mastered the esoteric spelling my stepmother required of a nine- year- old and an eight- year -old. The words included phlegm and haemorrhage, diaphragm, delphinium and rhododendron. By now, my father had long since departed for his next army posting and we were alone with our new stepmother, who was struggling with early pregnancy as well as the malaria she’d picked up in Egypt, though we were unaware of either. Sixty years later, she confided over an affectionate dinner together that:” You never played me up – you could have, but you never did.”

We didn’t go to the village school, and never knew anyone from the village except the gardener, Mr Appleby. He took a fancy to me and taught me the names of his flowers in the garden. He certainly behaved as though they were his. His deep red, rich pink, and white peonies were his greatest joy, and had a beauty all their own, as I picked them for my stepmother’s crystal vases. They were as lovely as roses, dripping with dew on their bright green leaves, and droplets nestled in the big flower heads layered with petals like an old-fashioned rose.

Since we had our lessons in the afternoon, it was my job in the morning to re-fill and refresh all the flower vases in every room in the house. This was perfect. It got me away from the parents who I was very nervous with – never sure of what was required of me and possible disgrace – and I could spend as much time in the garden as I wanted. Mr Appleby let me pick the best pink and red peonies, there were fat, pink, peppermint-scented pinks, sweet- scented roses, multi-coloured wallflowers and  purple penstemons, fragrant white stocks, spiky blue delphiniums and stocky lupins. Snow- in- summer and blue campanula sprawled in crevices on the terrace by the house.

He started bringing me treats from his own garden, huge, juicy, golden Williams pears, the fattest, hairiest, rosiest gooseberries I’d ever seen, juicy purple plums with golden flesh. My sister was furious that he never brought her any treats. Then he offered to take me for walks around the surrounding country-side.

The first walks were magic. Mr Appleby was probably in his sixties, a wiry little man with red apple cheeks and black stubble, who wore a grubby shirt with no collar and shabby black jackets and worn trousers that would be described as ‘rusty’. He had lived here all his life and knew every path and stream and hill and dale for miles around. He showed me mice nests slung between corn stalks, rubbed the ears off barley for me to taste, showed me the flowers that grew in bean fields and corn fields, where bird’s nests were, and where fish jumped in the pools which gathered between great slabs of flat rock in the river.

He explained who owned this field and that great house, he took me by shallow streams he called becks, and up steep cliffs he called scars. The walks extended from five miles at the beginning, to over eight miles one afternoon, up hills and along narrow paths, when I was so tired I thought I’d never take another step. I was always exhausted at the end of these marathons.

And then one day he said something I didn’t believe I’d heard. So he said it louder. ” Give us a kiss, then.” How could I be ungrateful after all the things he’d done to give me pleasure. I dabbed a quick peck on his horrid unshaven cheek. He did the same on the next walk. I avoided him in the garden as much as I could. I felt so sick the following week when he came for the Tuesday afternoon expedition that I hid in the top of the pear tree.

My stepmother called and called, until my sister revealed my hiding place, and I was sent on my way with admonitions not to be so rude. I dragged behind him for most of the way for the rest of those walks, but there was always a point when at some place he asked for the unwilling kiss. Once, I tried to tell my stepmother about it, but she stared at me disbelievingly, which effectively closed the conversation, and now I look back sadly, and see an achingly lonely and love-starved old man.

I loved that country-side.  I remember walking by myself to the next village on an errand for my stepmother, dawdling past the long, grey stone wall of an estate, with dark, shiny rhododendron bushes reaching over the top, and hearing the cooing of wood pigeons. There was a clear blue sky, the empty, cobbled village street, no sounds of traffic, nothing but bird song, sunshine, the church clock chiming, shady trees and the perfect happiness of being on my own with nothing to do but walk in this perfect place.

A Shell guidebook in the 70’s described our village as consisting of one street 3/4 mile long. ” One side of the road is a wide green behind which extremely attractive 18th and early 19th century houses face equally good houses behind a narrow green on the other side of the road. The village is sited on a ridge immediately above the bank of the Tees, and the river and rich farmland beyond can be glimpsed between the trees and houses. It is remarkably unspoilt… New houses are discreetly sited, so that they do not detract from the atmosphere of a more gracious age than our own. It is a village of many greens, sundials, river views, trees, and attractive door-casings, and its centre has changed very little since Jane Austen’s day.”

In 1947, it had changed even less, and there were no new houses, rather, it resembled the very village scenes observed by Emma… “her eyes fell only on the butcher with his tray, a tidy old woman travelling homewards from the shop with her full basket, two curs quarrelling over a dirty bone, and a string of dawdling children round the baker’s little bow-window eyeing the gingerbread…”

The only difference between 1815, when Jane Austen wrote these words at the end of one European war, and 1947 at the end of another European war, was the lack of horses and ginger bread. Food rationing was still as stringent as ever, with Europe on the verge of starvation, while lack of petrol meant no cars spoiled the peace of this north country village.

And all this was about to change as we sailed from Harwich to the Hook of Holland on our journey to join my father at Belsen, the notorious concentration camp in the heart of hungry, war-ravaged Germany.

To be continued

 Food for threadbare gourmets

 My tomato plants are flourishing, so I have a glorious glut of tomatoes. This was my solution the other day. Fry the chopped tomatoes gently in olive oil… the skins come off easily as they cook. When soft, pour in lots of cream, and as it boils to thicken, stir in a small lump of Dijon mustard, salt and pepper, and let them all meld together.

Two- minute noodles were a quick answer to some padding for the tomatoes which were poured over them. With fresh parmesan grated over the tomatoes it was a fragrant, delicious light lunch. A small glass of red or white wine is a great enhancement!

Food for Thought

 The people who are compelled to write down what they feel are the ones who feel it hardest… Briana Wiest

I discovered this quote and much more on a beautiful wordpress blog at: Deborah J. Brasket Living on the Edge of the Wild

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January 1, 2014 · 7:38 pm

Summer song

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Walking around the cemetery on New Year’s Eve the sky was still and clear, no silver, almost transparent moon yet, rising above the sea looking like a silver sliver of dried honesty in the pale night sky. Instead there were gulls circling silently and intently overhead, weaving endlessly in and out, never touching or interrupting the arc of another bird.

After a while I chose one single gull, and watched its movements, following its wide circles and trajectories and swoops until finally it headed out to sea in the direction of Little Barrier Island, which hovers, misty indigo, on the horizon.

It felt like a holy silence, the tracery of the gulls’ flight woven like a network of silver filaments overhead, the cemetery a cathedral, silent, sacred and undisturbed. The Universe may have been un-aware that it was New Year’s Eve around Planet Earth, but surely that thought -form which meant we were all conscious of this moment in time, must have created that charged and sacred energy which I was feeling then.

Today it has rained. Things can start growing again, and I can stop watering – for a few days anyway. The countryside has the richness of high summer. The trees are billowing with green foliage, the fields have been cut for hay, and the grass in the meadows is so high that when the calves lie down, their heads just peep out of the tops of grass heads, plantains, buttercups and clover. I thought I saw a flight of big brown butterflies the other day, and it was the tips of their velvet ears reaching out of the pasture. The thrush in the garden sings continuously between pecking at the apple nailed to the top of the fence.

Tonight I was strolling round the cemetery, and the harbour below was the deep dark green of an Arthurian mere. It was as still as a mere too, and the boats at anchor were reflected with perfect clarity. Turning to face out to sea, the ocean was quite colourless with a deep band of blue on the horizon.

I’m constantly re-filling the dogs’ water bowl by the pavement. I hear them slurping away, as people walk past to the beach, thirsty Labradors and dobermans, bitzers and bichon frises, poodles and pointers… even a bulldog.

Earlier today, reading James Lees-Milne’s diaries, listening to the summer rain, I discovered his description of an English summer night in 1946: “the smell of new-mown hay and hedgerows, of eglantine and elder… how I love these long gentle Shakespearean summer evenings…”  Me too. The scent of the queen of the night comes drifting in from the open window at night here. It’s sweet and lovely… but I miss that indefineable atmosphere of those English summer nights.

Those nights throb with nostalgia and a richness. Somehow, it’s as though the layers and layers of lives lived in those parts, the echoes of history stretching back beyond memory and beyond record, the people in the millenniums before Christ, who trod out the ancient paths that still thread across hills and ridges and valleys and fords, can all still be sensed. The voices are silent, but their presence still lingers, as one century after another passes across the meadows and the woods.

The oak and the ash, the hazel and the hawthorn, the holly and the honeysuckle have been growing there since the last ice-age twelve thousand years ago. The smells, the sweet blossom, the new mown hay, the whiff of manure, the fresh rain, the damp leaves, have smelt the same in every age and every summer since. Standing in a quiet English lane on a soft summer night, you can feel those long centuries, and it is very touching.  I haven’t experienced a summer evening for a long time. I’ve always been back in autumn or in winter. But I must savour a June night once more!

Feeling homesick for the English country-side, I got “Far from the Madding Crowd” and “Tess of the D’Urbervilles off the top shelf of the book-case, and had an orgy of Hardy. Tess first, and the sweetness of Talbothays farm, then Bathsheba and her story… I read it differently this time, not so much for the drama of the story, but for the feeling of the country.

So I really took in for the first time, the delicious characters of the farm-folk, and the details of farming life, from the signs of an approaching storm, to the rituals processing through the year of lambing and dipping, and fattening and shearing, to the yearly sheep fair, the shearing supper and the harvest supper.

It was a way of life which had existed for over a thousand years when Laurie Lee in the enchanting ‘Cider with Rosie’, told the story of his childhood, and an archaic way of life  which then vanished forever, with the combine harvester, chemical farming, agri-business and of course the destruction of communities  by the carnage of the First World War.

I’m always struck in Hardy’s books, and in Jane Austen’s letters, by the isolation and “localness” of country life back then. So many people hardly ever left their village, unless they were gentry, and the next village was a foreign country. So when people fell in love in these tiny societies, and lost the object of their affections, through death, departure or rejection, there was often no-one else to love. People literally did grieve and die in different ways, from broken hearts.

Hardy’s description of the hopeless love by the dairy-maids at Talbothays farm for the un-attainable gentleman, Angel Clare, had the unmistakeable ring of truth.  I remembered from closed societies I lived in when I was young, whether in an English village, or a tiny colonial community far away from any other European habitation, how intense relationships were when there were no others. No-one could console themselves before the population explosion, and peripatetic habits of the twentieth century, that there were plenty of other pebbles on the beach. There weren’t.

Yet now, though I live in a tiny village with only four hundred souls, we are no longer prisoners of geography. Not only do people take off to holiday in Alaska and Italy, and their families return from Vancouver and Hanoi, but we all have the world of the internet at our fingertips, to use that well-worn, but accurate cliché in this instance.

It’s eighty- six years since Thomas Hardy died, and in those years our worlds and our lives and maybe our minds have expanded beyond imagining. The world is our village, and the internet is our community. There are pebbles past counting and wherever we direct our vision, we can find the glory of summer somewhere around the globe at the push of our buttons.

 

Food for threadbare gourmets

Apart from being full of healthy fats, potassium and Vitamin E, avocados are delicious.  I sometimes use them as a dressing over a salad. To one avocado you need  ground coriander – I use a quarter of a teasp, but less is more… the juice of a lime or a lemon, quarter of a teasp of ground cumin, a tblsp of apple cider vinegar, salt, and about half a cup of water. Whizz these ingredients until smooth and creamy, and use straight away.

 

Food for thought

To write or even speak English is not a science but an art. Whoever writes English is involved in a struggle that never lets up even for a sentence. He is struggling against vagueness, against obscurity, against the lure of the decorative adjective, against the encroachment of Latin and Greek, and, above all, against the worn-out phrases and dead metaphors with which the language is cluttered up.

George Orwell, English writer 1903 -1950.  Wikipedia records that : ‘His work is marked by lucid prose, awareness of social injustice, opposition to totalitarianism, and commitment to democratic socialism.’ Animal Farm and 1984 have continuing relevance.

 

 

 

 

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November 15, 2013 · 1:34 am

So what is gumption?

100_0509“Use your elbow–grease,” my grandmother would chide me good humouredly… or ask: “where’s your gumption?” Where indeed? I searched my somewhat limited seven year old soul but could find no trace of these desirable qualities – whatever they were – for I had no idea. I was completely puzzled, and sad to disappoint her.

However the lack of these mystifying gifts ceased to matter when at a fortnight’s notice, I left my grandmother forever, to join my father just returned from Egypt with his new wife. After a month he disappeared to Germany, and my stepmother and I waited for his summons until a house had been found for us. During those months, instead of going to school, my stepmother gave me lessons in the afternoon. Looking back, though a fully trained physiotherapist, she may not have been quite so well qualified to teach small children, but those were more carefree times, when anything went, and often did.

In my case, we didn’t do much maths, thankfully, but I learnt lots of poetry, mainly, I think, the poets my stepmother had ‘done’ at school in the thirties. These included Sir Walter Scott, Elizabeth Browning, Wordsworth and chunks of Longfellow’s Hiawatha. She was hot on spelling – and as a nine year old, lists of words like phlegm, diaphragm, diphthong, delphinium, rhododendron, asthma, psychology, diarrhoea had to be memorised every day. If I’d ended up in the medical profession this vocabulary might have stood me in good stead, but since then I’ve often wished that I had instead mastered how to spell ‘receive’ and all the exceptions of’ ie’, as well as ‘commitment’, both my constant stumbling blocks.

When it came to composition – as it was called – I was a disappointment to her, the way I’d felt with my grandmother, when I lacked elbow grease and gumption. But what I was lacking now, was imagination. “Use your imagination,” she’d say, and once again, I had no idea what imagination was, though I thought it might have something to do with writing about fairies, which I felt was childish.

I felt mysteriously depressed, as at school I’d always been quite good at composition. But the problem of imagination didn’t seem so important once we got to war-torn Europe. We travelled through apocalyptic scenes – cities of mountains of bricks, with half buildings with crooked pictures still on the wall, a door open and chairs still at a table, and skeletons of ruined churches –  before finally reaching the infamous place called Belsen, where our new home was the Beast of Belsen’s old digs.

Those were bleak times in Europe and I often felt bleak too. Now my father, almost unknown after years away at war, expected me to have common sense. This seemed more important than gumption, elbow grease, or imagination all put together, and just as un-attainable. I think they thought I was sensible when my best friend was murdered. I had gone to fetch her for our early morning riding lesson, but she didn’t answer the door. When I got home after riding, Mary had been found shot in the kitchen, and her younger brother was shot at the door as he had tried to escape. Her father had then shot himself because his wife had left him.

I never spoke to my new parents about this, my chief worry being Mary’s brother’s  feelings as he dashed for the door, and also that Mary mightn’t have made it into heaven, which I knew my parents didn’t believe in. I cried every night in bed, and begged God to let her in. But though I was apparently phlegmatic, the magic of common sense still eluded me – as in: “do use your common sense, child,” or the unanswerable question: “haven’t you got any common sense?”  When I joined the army as a teenager at my father’s behest, I knew he hoped I might now discover some hidden well of this commodity which he seemed to think I really needed for a successful life.

But here was another pitfall. An officer was supposed to have initiative and to use it! This, as a very young officer, I quickly realised, was dangerous. Initiative was a two-edged sword, with unknown consequences, which not everyone appreciated. So it was with relief that I looked forward to marriage, when, I supposed with blind optimism, none of these things would be required of me.

But on the third day into married life, I discovered that things were not as I had thought they were, had to write a big cheque which cleaned me out, and then faced an unpredictable, precarious, and impoverished life on shifting sands. The upside was that I discovered I did have gumption after all! And I needed it.

Elbow grease, on the other hand, was something quite prosaic I came to realise, and was only needed for wax-polishing antique furniture, the idea being that the intense pressure of the elbow grease created friction, and the resultant heat melted the invisible wax crystals, causing them to meld together and create those shining surfaces. Frankly, it was easier just to put the dusters in the oven, and polish with hot dusters instead of elbow grease. The only other use for elbow grease seemed to be for scrubbing burnt saucepans, an activity I have always strenuously avoided.

Common sense? Well I’ve discovered that common sense is merely a matter of opinion, and that one man’s common sense is another man’s madness… so to take a somewhat extreme example, Hitler’s idea of common sense would not be mine – so I’ve flagged common sense. And initiative doesn’t bother me any more – I’m in sole command, and don’t have to answer to any superior officers!

Which leaves me with that lack of imagination. Well, it’s something I’ve got used to, and have had to realise that I never could produce an interesting imaginative novel! I recognise imagination in great works of art, both literary and artistic, in fine blogs, in glorious architecture and opera, in gardening and interior decoration, even in solving problems… but I’m still digging for it in myself…

Jane Austen has sometimes been un-imaginatively accused of lacking imagination, and I used to cling to her definition of her art in a letter to her brother Edward, in which she refers to her: ‘little bit (two inches wide) of Ivory on which I work with so fine a Brush’, but to be brutally realistic, this is not really much comfort, since she painted masterpieces on her little bit of ivory with her fine brush. For me, lacking the flights of fancy that come with a soaring imagination, all I can do is to notice and to describe, and I did find some consolation in these words by the enigmatic writer Fernando Pessoa.

He wrote: “What moves lives. What is said endures. There’s nothing in life that’s less real for having been described. Small-minded critics point out that such and such a poem, with its protracted cadences, in the end says merely that it’s a nice day. But to say it’s a nice day is difficult, and the nice day itself passes on. It’s up to us to conserve the nice day in a wordy, florid memory, sprinkling new flowers and new stars over the fields and skies of the empty, fleeting outer world.”

These words hearten me for I too, can at least conserve the day in wordy, florid memories, try to sprinkle new flowers over the fields and skies of the fleeting outer world, and thoroughly enjoy myself while I’m sprinkling! So here’s to florid memories and new flowers!

 

Food for threadbare gourmets

This is the strawberry season, so it’s crazy to serve anything else for pudding besides these luscious fruits. Friends for dinner meant a quick foray to the nearest strawberry fields. The ones I wanted, where the strawberries are grown by a Vietnamese genius, whose berries are the biggest, sweetest and cheapest, hadn’t opened, so I had to fall back on the other strawberry fields. I usually find theirs a bit tough and tart, but solved the problem by hulling them, and putting them in a dish out in the sun. As the day went by, the delectable scent of soft, sweet, ripe strawberries warm from the sun tempted my taste-buds every time I passed them.

With them I usually do Chantilly cream. One of my grandsons will eat this neat, and has learned how to make it for himself, a useful skill when he goes flatting at University! Take one cup of thick cream, two table spoons of icing sugar and a few drops of vanilla and whip them together. I usually make three times this amount, just tripling all the ingredients.

 

Food for thought

So long as a bee is outside the petals of the lotus and has not tasted its honey, it hovers around the flower buzzing. But when it is inside the flower it drinks the nectar silently. So long as a man quarrels about doctrines and dogmas, he has not tasted the nectar of the true faith; once he has tasted it he becomes still.

Sri Ramakrishna  1883- 1886 Famous Hindu teacher and mystic, who believed that all religions led to the same God, and who practised  both Christianity and Islam

 

 

 

 

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July 23, 2012 · 11:53 pm

Books Taking Over The House

I’ve just inserted a tall narrow bookcase by the fire, the only place I could find to put another bookcase. When the sweep next comes, I expect he’ll tell me it’s a fire hazard, but it’s a risk I have to take.

 The books are taking over the house. Sometimes I do a clean out, and manage to sort out a small pile I think I won’t read again, and then a few months or even a year later, I go to find one, to look something up, or check a fact, and realise it ‘s gone with the wind and kick myself.

It’s such a little cottage that we haven’t got a special room for books. There’s nothing I love more than a room wall to wall with books. But here I have to slip them in between windows, the odd mirror and tall bits of furniture. I can’t bear to let go my collection of green and white china in the white dresser, so that’s book space gone, and we need the two big French armoires for storage, so that’s another two blocks of wall gone. There are windows everywhere to let in the views of the sea and the surrounding trees, so I have no quarrel with them. But there’s less room for bookcases.

 So we have books in the sitting room, books in the bedroom, books in the hall, books in my husband’s study, and books in the garage, books in piles on the round table in the middle of the room, books in piles on the bottom shelf of side tables and the coffee table. The new one inserted by the fireplace has absorbed all the piles of books heaped by the fire, and on the old grey painted bench, and on the stool by the French doors. There’s no more room for expansion, and we face the grim choice of buying no more books – unthinkable – or having piles all over the place again.

Other people manage to have tidy homes, and I sometimes wonder what it would be like to have clear empty surfaces, and no clutter of books, magazines, articles torn out from the newspaper, recipes, things to keep for the grand-children, jars of posies,  collections of tiny treasures, boxes, bits of silver, magnifying glass, candle snuffer, photo frames and the rest.

But books rule. Some I’ve carted round the world for years, like the old leather-bound Complete Works of Shakespeare, with an introduction by famous Victorian actor Henry Irving. The end papers are marbled in black and gold and it’s printed on rice paper with an unfaded gilt edging. I picked it up at the Petersfield market in 1958. A Prayer Book printed in 1745, the year of Bonnie Prince Charlie’ s rising, found on the book stall at Salisbury market in 1963, sits next to Shakespeare. One of the most awe-inspiring things about this book is that at the back of it some mathematical genius calculated back in 1745, all the dates of Easter up to the year 2000, which must have seemed like an impossible date to people in those times. Easter is calculated from what are known as the golden numbers, and involve various other arcane computations to do with the full moon on or after various dates, and taking into account the Gregorian calendar. None of which makes any sense to this mathematically challenged person, whose top mark in most exams was eight out of a hundred.

Lined up with these two venerable treasures is the Oxford Book of English Prose, given to me in 1954 as a prize for reading the lessons at school assembly – my only prize, so rather treasured! With these grand old men of my library I keep all my favourite books, which include the poetry of TS Eliot and John Betjeman, Alan Garner’s exquisite children’s book ‘Tom Fobble’s Day,’ The Oxford Book of Mystical Poetry, seven year old Daisy Ashford’s hilarious classic, ‘The Young Visitors’, Michelangelo’s Sonnets and of course, the Blessed Jane!

Other shelves house my collection of American Civil War books, all the books on Wellington and Waterloo, Arctic and Antarctic books, all Captain Cook’s journeys, including his diaries and the diaries of Captain Bligh of ‘Mutiny on the Bounty’s’. Diaries are one of my favourite things, and I have shelves of them, men and women’s, some famous people, others interesting because they live like you and me. I love savouring their lives and the most mundane details that add up to each day lived. ‘Breakfast at eight, then went for a walk,’ sort of thing, gives me such pleasure, experiencing the routines and blessed ordinariness of such daily programmes.

 There’s innocent Dorothy Wordsworth’s journals of her country walks, dyspeptic James Lees-Milne’s quirky portraits of the owners of stately homes he had to inspect for the National Trust, poor old Victor Klemperer worrying about his cat as the Nazis closed in, swashbuckling Samuel Pepys and British MP Alan Clark revelling in their philandering, honest John Evelyn, back in 1654, getting a hammer out of his carriage to bash the boulders at Stonehenge and failing to make a dent… and dear Sam Grant’s memoirs written as he was dying of throat cancer and trying to make provision for his family. Samuel Clemens, known as Mark Twain, was his publisher.

Christopher Morley, American writer, wrote that when you get a new book, you get a new life –“love and friendship and humour and ships at sea at night -… all heaven and earth in a book.” So the piles of books will have to grow, because like the ones I’ve mentioned, they are precious companions, old friends, indispensable comforters and utterly irreplaceable.  Beds R Us, says the ad for the furniture shop on TV. Books R Us in this house, and as an anonymous wit once said, book lovers never go to bed alone!

Food for Threadbare Gourmets

Seasonal vegetables are the best way to live cheaply, and in winter, leeks are one of my favourites. This fragrant dish is simply hardboiled eggs and leeks. For each person allow one to two eggs, and a couple of leeks depending on size.

Trim and clean the leeks and steam them while you boil the eggs. Make a vinaigrette sauce, two thirds good olive oil to one third lemon juice or white wine vinegar. Whisk them together with a little Dijon mustard, salt and freshly ground black pepper. Add capers and black olives to the vinaigrette.  If you don’t have any olives, you can manage without, but capers are a must. Peel and halve the eggs, place them on top of the leeks and pour the vinaigrette over them. Eat with good, hot crusty rolls. Quick, cheap and easy.

Food for Thought

A prayer written by Jane Austen, 1775 – 1817, peerless writer and daughter, sister and aunt of Anglican clergymen :

Incline us O God! to think humbly of ourselves, to be saved only in the examination of our own conduct, to consider our fellow creatures with kindness, and to judge of all they say and do with the charity which we would desire from them ourselves.

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