Tag Archives: Japan

Kintsugi, art and life

I wrote a column about my collection of cracked and chipped blue and white china thirty years ago. Some people received the idea of a collection of cracked china with derision and laughter… something cracked or chipped had lost its value, usefulness and good looks was the unspoken message, or I must be too poor to have such a pointless collection instead of perfect objects.

Undeterred, in the years since, I’ve saved shattered fragments of blue and white china when I’ve dropped or broken something, intending to stick them all together in a splendid mould and make a bird bath. I still have all the bits … but though the spirit has been willing, the body has been weak, alas.

So when a few weeks ago a possum knocked a precious piece of pottery off the bird table I was heart-broken. It was a large platter given to me by its maker, a potter of some renown, whose pieces now on sale in the national museum cost more than I could ever have dreamed.

But my platter came into my hands over thirty years ago when I used to take my daughter for piano lessons with a beautiful woman who played the cello in the city orchestra and taught the piano. While my daughter tackled the music of civilisation’s finest composers, I whiled away the time chatting to her teacher’s husband, the potter, admiring his work which was all around and even then, out of my reach to afford.

They lived in an enchanting house he had built himself, and where in the romantic rambling garden black and white speckly bantam hens roamed, kicking up the flower beds with their stubby tufted legs and fearsome claws. One day the potter gave me one of his platters and a few months later by chance, another came into my hands.

I’ve always treasured them, and since I love using beautiful things for mundane purposes have always used them as bird baths. Now in our forest, I use them as bird tables for bird seed, balanced on pedestals made from other treasured ceramics. A possum must have clambered up and knocked the platter off. It had broken into three pieces. I found it when I awoke and got up to fill it with bird seed and scatter seed on the ground for our visiting quails.

Going back to bed with my early morning tea I brooded over this unexpected event, and idly let my mind roam over the five hundred-year-old Japanese art of kintsugi, when cracks or breaks in a piece of pottery or porcelain are pieced together again with glue and gold… the name means golden repairs. They become so beautiful that some pieces have been broken deliberately in order to restore them with veins of gold.

Mentioning this to my love, he immediately Googled, and over the weeks he mastered the technique, and the platter was returned to me on Christmas Day with beautiful veins of gold now holding the broken pieces together… the platter is even more beautiful than before… which is the idea … this exquisite art form has developed to become part of the Japanese philosophy of life… where respecting the past with ‘awe and reverence’ adds to the beauty of the object. It is not seen as flawed or broken, but as re-stored… not to wholeness, but to a beauty reflecting life, its impermanence and poignancy.

Since discovering the concept of kintsugi I’ve thought how though it is an old instinct brought to perfection by Japanese craftsmen, it’s also been used by so many others for so many centuries … I thought of the ancient ruined monasteries scattered around England, dissolved by Henry VIII in the 1530’s in order to enrich himself and turfing out the monks, leaving them homeless and destitute.

Local people were the ones who ruined those abandoned monasteries, dismantling exquisite abbeys, priories and friaries, and using the stones to build or enrich their own homes. Even in this day and age, I have stopped the car in a muddy lane in Cumberland to exclaim over a carved Gothic window blocked up to make part of the wall in a rough stone barn – relic of a local monastery.

I used to walk in a Devon village where the red post box was set into the thick wall of a house rising straight out of the street, which would once have been a cart-track, and next to it in the wall was a small beautifully carved blocked up window from another medieval building. These small architectural gems ennobled the old stone walls they were set in – another Japanese concept – ‘wabi sabi ‘– finding beauty in old or broken things

Shakespeare found beauty in old things, and using the principles of kintsugi, rewrote the ancient legends he had learned in his classical education at Stratford Grammar School, re-creating and transforming the stories of Anthony and Cleopatra, Julius Caesar or Troilus and Cressida – to name a few – into enduring works of art.

Not sublime works of art, but definitely kintsugi, are the pre-loved clothes – as they’re sometimes called – which a friend finds. By changing the buttons, adding a trimming, altering the neckline, edging hemlines or cuffs with contrasting fabric she turns each found item into an enviable work of art as well as a desirable item of clothing.

And there’s something touching and very sweet about the darns or patches in a piece of old linen, or a carefully repaired scrap of precious old lace. I love the chips and worn places on old painted furniture and the scratches on the polished wood of an antique table, or the kicked legs of a well-used chair.

These are the scars of a life well lived, and to iron them out, re-paint, sand them away and restore them to what is so often wrongly called ‘their former glory,’ chills my heart.  I know this means their honourable scars have been destroyed, and their character obliterated. In trying to make things look as good as new we are not honouring their past… the spirit of kintsugi.

When we were told on our personal growth courses to turn sour milk into yogurt, this was the same thing, re-creating and restoring the broken, cracked or scratched parts of our lives, and using them to teach us strength, compassion, insight. Acknowledging the hard places and tough times we had come through, and the buried pain, we were able then to see how they had shaped us.

We learned to face these times with ‘awe and reverence’, and with gratitude too, since without these scars, we would not be the people we had become. Our lives regained both magic and poignancy as we learned to see the mysterious patterns of events which we had endured and previously dismissed or de-valued.

Patterns of pain, loss, anger or despair, once recognised, became our golden repairs, our kintsugi, which enriched us and gave us a sense of the beauty of our lives. The cracks of character and kindness round our mouths, the lines of laughter softening our eyes, the deep furrows of thought and intellect above our brows became testimony to strength of character, to acceptance of the challenges faced, and rejection of bitterness or resistance.

Maybe this is why I find the faces of celebrities who have had a face lift or a botox injection rather sad… they are not honouring the medals earned by a well-lived life.

The most precious example of kintsugi in this place where we live is a diver’s rusty old tank, found while we scoured a demolition yard for re-cycled goodies. It was brought joyfully home, carefully cut in two, sanded, gently polished and re-painted, so it is a dull antique grey, with a few antique coins stuck to the circumference.

It’s mounted at the bottom of our drive with a striker made from an old fishing weight attached to a handle of weathered wood sitting by it. When visitors arrive, they ring the bell to tell us they’re here. Every day at dawn, and in the gloaming we ring our bell in gratitude. It reminds us that life is precious. And so we honour life.

Food for threadbare gourmets

We always used to have goose at Christmas when I was a child, but on the one occasion we had turkey I remember my father saying he wasn’t going to eat cold turkey or turkey sandwiches for the next week. So he devised a rechauffe of turkey eaten on rice.

Faced with lots of left-over turkey this year, I decided to follow his example. I had saved all the turkey juices, so after frying mushrooms and chopped bacon in butter, I stirred in a table spoon of flour to thicken the mixture and added the turkey juices. When this had thickened, I added chopped turkey and a little cream, salt and pepper, nutmeg to taste, and a small chicken bouillon cube.

Served on boiled rice, with peas, chopped parsley and butter stirred through, it was much better than cold turkey sandwiches!

Food for Thought

The self-actualising person is not a normal person with something added, but a normal person with nothing taken away.         Abraham Maslow

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Atomic Terror Started in a Tent

On July 16 in 1945,  the first atomic bomb was detonated near Alamogordo, and a few weeks later was dropped on Japan on August 6 

 The bomb that blasted

Hiroshima and Nagasaki

And scarred the whole world

Exploded unbeknown to me

 

No adult thought to tell a child

That we could all now

Be destroyed

In the twinkling of an eye

No-one mentioned

That man had become

The shatterer of worlds.

 

The savants of the western world

Toiled in the dusty desert

To create fission

They even feared

Would conflagrate our world.

 

Playing at being gods

Not in white coats and sterile labs

But in dust and heat

Stripped to the waist

In a home-made tent

Rigged up at the foot of a puerile tower

Invented to try to reduce

Unknown quantities of fall-out

In the first attempt

To detonate an atom bomb.

 

The core was carried in a valise

In the back seat of a car

And driven over a bumpy road

To where eight scientists

Waited at base camp

To assemble the plutonium pieces

In silence with their own lives in the balance

Eight men worked in deepest concentration.

 

The murderous device now ready

It was carried on a stretcher

To the car

And continued its journey

To the tent in the desert

Beneath the searing sun

Where the final team of scientists

Waited in the dim cool shelter.

 

The core was hoisted manually

Before being lowered into the waiting bomb

The only sound

The ticking Geiger counters

Occasionally an instruction

And then the monster

Was winched by hand

To the top of the shoddy tower

And a pile of mattresses

Twenty feet high

Placed beneath

In case it fell!

 

A hundred feet above the desert

In a strong wind

The brutish metal sphere

Covered with leads

Connecting sixty-four detonators

Swung in the rain and thunder

Waiting for zero hour.

 

And when it came

In the blackness of night

The darkness turned to light

A blazing sun glared on the horizon

Lighting up the desert

And a slow roar of sound

Rolled across the land.

 

As the fireball

Raced into the sky

They watched from a bunker

And some wept

Some laughed

Some were silent

One had goose pimples

As the world changed forever.

 

In this cumbersome

And homely way

Using mattresses and suitcases

The sweat of their brows

A temporary tent and teamwork

The greatest terror

The world had known

Came into being.

 

And this gives me heart.

Mere men, in their own

Unskilled and make-shift way

Can re-create with gentleness and patience

The new world

That we all ache for.

Our puny efforts are worthwhile

For God wastes nothing.

 

More Food for Thought

If it is to be, it is up to me.         Advice for life for his boys, from an anonymous English schoolmaster

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