Tag Archives: Joan Sutherland

A tearful (sob) tale !

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If I’m going to cry I want it to be when I’m laughing. I think that may be one of my favourite pleasures, to laugh till I cry… but it’s not something that can be planned… such moments seize us out of the blue, and swoop down without any warning. And then it’s bliss…I love it – having laughed my way not just to good health but to aching sides and streaming eyes.

Tears come more easily to some than others… my tear ducts are the sort that let me down and embarrass me constantly… it was about the only thing I had in common with Princess Diana, being neither blonde, rich, thin, Royal or any of the other things she was…. but she cried easily… she cried waving goodbye to her fiancée when he flew off to NZ for a couple of weeks, she cried, bless her, when the band played God Bless the Prince of Wales on her honeymoon, and she cried among other times, when she was complimented on her work on the day her separation was announced. By contrast her sister-in-law Princess Anne has only gone on record crying once… when she waved farewell to any more cruises on the royal yacht Britannia as it was de-commissioned.

The tough and the strong are sometimes tempted to despise we weaker vessels, and that’s when tears are so humiliating, if we forget that some of the sweetest moments in life, and the most memorable, are those which move us to tears. Tears are one of the things that make us human beings – though I have watched that heart-breaking video when an elephant who had been starved and beaten for fifty years was finally freed, and he wept – rivers of tears slowly trickling down his wrinkled old grey cheeks -and I wept too.

So yes, tears reveal us as feeling human beings… and though times of hormonal change… those teenage years, pregnancy, post-natal months, menopause, depression, even the wrong medical drugs can cause unexpected floods of tears, nevertheless, tears should not be sniffed at. A baby’s tears are his only means of showing his hunger, hurt, fear, anger, discomfort, insecurity and other problems…. but as we grow older and find less direct forms of communication, tears assume a different place in our lives.

They still mark emotions like fear, misery, anger, grief, hurt, but as we grow older – joy too. So why does our culture sneer at tears and try to train children not to cry, with the jeer: ‘cry baby’ or ‘softie’ being an allowed insult in the playground or even worse: ‘don’t be such a girl’.

When I landed in New Zealand in the middle of winter many years ago, my luggage two small children, tears of fright flowed behind my huge black sunglasses in spite of all my efforts at control. And there have been many other moments since when tears marked unforgettable moments of joy and sorrow… including watching first my children, and then my grand-children’s nativity plays… I cried when I watched my tall, skinny thirteen year old son walking away from his childhood into ‘big’ school, head and shoulders above the others his age… at my daughter’s wedding, and my grandchild’s christening… a perfect watering can.

‘Don’t cry when you say goodbye to us’, my eight year old daughter had said before they took off across the world to see their father. So I smiled and waved, and tried to pretend tears weren’t coursing down my cheeks in great rivers. Later, the exquisite voice of Joan Sutherland singing in concert brought tears to my eyes and to many others. Few of us could define what these involuntary tears were triggered by but they were precious, and the moments memorable. I’ve heard other great singers in person including the incomparable Kathleen Battle, but none of them drew that spontaneous tribute.

When my first baby was born the midwife who delivered her did so in floods of tears… she said she always cried when a baby was born. Now, tenderised by life, I know what she means. I only have to see a new born to feel those tears start gushing. It’s hard not feel embarrassed or humiliated by these ever-ready tear ducts.

I am famous in the family for beginning to cry in the cinema at the beginning of a film. As the credits went up on the film ‘The Young Winston’… the traditional ride of the Adjutant on his white horse, up the flight of steps to the library at the end of the Passing- Out Parade at Sandhurst filled me with such nostalgia for my military childhood that I was lost at the first frame.

And I remember lingering in the cinema loo mopping my eyes with my best friend as we tottered out after Disney’s ‘Old Yeller’ (about a Labrador) had ended, ravaged with tears and nearly blinded with clogged mascara. I can go to a funeral of someone I hardly know, as a courtesy to a family member, and become a tearful wreck… not quite sure whether I’m crying in sympathy with those who are really mourning, whether tears are contagious like yawns, or whether I’m touching into old and forgotten griefs.

In the end it’s animals who really pull the heart-strings and have provoked so many gallons of tears I could fill buckets with them … I was ten when I wept over the shooting of the ponies in the film ‘Scott of the Antarctic’… blow the men dying heroically in the snow, it was the ponies I cried over. The deaths of our fifteen or more rescued dogs and a cat was always a tear- streaked nightmare over the years, and it isn’t just me who’s reduced to an emotional wreck by animals.

On one particular personal growth course, a man who had remained unmoved by harrowing moments supposed to break down our innermost defences, went home one night to find his precious bull terrier fighting for her life, and losing it in child birth. The next day, as he told us all about his beloved ‘Maggie’, he dissolved into heart- broken sobs, as did all the women and most of the strong men in the room. Loved animals in distress can make even the toughest weep.

Broken with grief, this man was then able to do the inner work he had come for, the tears had dissolved his emotional barriers, and he became a softer, kinder, warmer person overnight. So in spite of the superiority of those who have well controlled tear ducts, it does seem that weeping is good for the soul, even though it’s terrible for the complexion. Doesn’t seem to matter whether we’re weeping from laughter or weeping from grief, or weeping from any other emotion, tears seem to loosen us up.

Yet mostly, tears don’t seem to come in the moments of great crisis… then the mind is focussed. Shock and intense attention keep us icy cold, functioning unhampered by anguish or emotion… so maybe tears are a bit like Wordsworth’s definition of poetry: emotion recollected in tranquillity, but in the case of tears: emotion when there’s time for it. I rather treasure the words of Kahlil Gibran, who puts tears and laughter into perspective, as ever… that they are both – in the pompous self-mocking phrase of a friend – part of ‘life’s rich pageant’!

Gibran says: “I would not exchange the laughter of my heart for the fortunes of the multitudes; nor would I be content with converting my tears, invited by my agonized self, into calm. It is my fervent hope that my whole life on this earth will ever be tears and laughter.”

So weepers of the world – unite! Hang onto your sodden tissues, and leave off your mascara. Don’t feel intimidated by the stiff upper lips or cold embarrassment of stronger mortals, our ability to cry at the drop of a hat means that we’re living, breathing, sentient beings,
Yours tearfully…

 

Food for threadbare gourmets

A friend for supper on a cold winter’s night meant that I wanted to spoil her with comfort food, and what more comforting than blackberry and apple crumble?

I had the apples, and a tin of blackberries, though I prefer fresh or frozen, and also often use boysenberries instead. I tipped the cold, cooked sliced apples and the blackberries into a pie dish, with plenty of juice, and sugar to taste; then the crumble was spread on top, baked in a moderate oven for forty minutes, tested with a knitting needle to make sure the crumble was cooked, and served with cream… delicious and she loved it.
The trick is the crumble… eight ounces of flour, four ounces of cold butter, grated and mixed with the flour, six ounces of brown sugar, the grated rind of a lemon, and two ounces of ground almonds. Mixed altogether, it only takes a few minutes to prepare, and not much more to eat!

 

Food for thought

All children long for recognition and acceptance of their essence – secretly so do most adults. The insistent question inside all of us is: do you see me, not only my body, but my essence; the gifts, potential, needs, wounds, character and quality of soul that shape me individually?
Professor Richard Whitfield

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Rambling through Youtube

I had the haunting Irish tune of ‘Down By The Salley Gardens’ on my mind and turned to lovely Youtube. I did the rounds, Kathleen Ferrier- sublime, Orla Fallon – beautiful,  Marianne Faithful – shallow, and Clannad, performing authentically in an Irish pub – haunting, wistful, and satisfying. And as I flitted from one version to the next, I stumbled on William Butler Yeats himself, reading his poem (though it was based on an old Irish folk song).

It was magic listening to the real voice of the poet, and reminded me what a gift recording is. I never had much time for Yeats in his monocle and black cloak, who left Wilfred Owen out of the Oxford Book of English Verse because he suspected Owen of pacifist sympathies. Yeats, in his fifties, didn’t fight in the war, but Owen was in the trenches for the whole four years, writing the finest war poetry, and dying in an attack across a canal in the last week of the war. So Yeats, born in 1865, doesn’t do it for me, but to hear his voice, echoing across historic centuries was still a thrill.

On the sidebar, there was Virginia Woolf reading on the BBC in 1939, a year before she walked into the river, and never came back. It’s the only recording we have of her. I clicked – of course – and listened to this wonderful voice reading her thoughts on words, entranced as her imagination soared and she opened new worlds of ideas. Her beautiful diction and resonant tones gave an idea of the layers of meaning and perception that she applied to life and art.

Then Alan Rickman showed up at the side, reading Shakespeare’s sonnets. Hearing  that mellifluous voice, reading the cadences of Shakespeare’s phrases and innermost thoughts was so moving. But since Harry Potter is never far from us these days, there was Rickman also in his role as Severus Snape. And once hooked into the world of Harry Potter, I couldn’t go past Emma Thompson as Sybil Trelawny in a scene which has never been shown, as it was cut. Shame. I laughed till the tears ran down my face as she tried to eat her meal in a state of total panic and confusion – doesn’t sound funny, I know, but you haven’t seen it.

I was watching, of course, a master, as were Rickman, Woolf and Yeats. Watching or hearing a master is an experience which stirs the soul. Sitting at a concert of Joan Sutherland , every time she came on stage and that glorious sound rang out, the tears just rolled down my cheeks. Listening to Yehudi Menuhin was like entering a mysterious world of spirit, and sitting motionless, holding my breath, as Kathleen Battle, in black with a cyclamen pink stole about fifteen feet long, sang to a packed hall of spellbound concertgoers is one of my treasured memories.

Masters reveal a world of universal connections, and seeing a Leonardo or a Michelangelo takes us into that same world of universal values of beauty and truth. But one of the favourite books on my shelf is a collection of sonnets to the woman he loved, by Michelangelo, and I love them precisely because he was n’t a great poet, as he was a great artist. In his poetry he shows the side of him that struggles with the same ordinariness – or perhaps I mean common humanity – as the rest of us. As an amateur poet, he is exposed in these poems, while in the mastery of his art, it’s his greatness that we see.

So while I am awed by, and grateful for mastery, there is something very beautiful about amateurishness. Many years ago, on New Year’s Eve at a party in Somerset, I had struggled all evening to look as though I was having fun with a group of people I didn’t know, and had nothing in common with. I was staying with friends, who had taken me with them. As midnight approached, we all gathered in the main hall of the castle, and a man asked if there was anyone who could accompany him on the piano. With no takers, he said he’d sing anyway. I cringed, wondering if he would embarass himself.

And so began one of the loveliest moments of my life. He sang ‘My love is like a red, red rose’. Not professionally, but honestly and lovingly. All our egos which had jostled and struggled to keep their ends up all evening stood transfixed. A long silence followed the ending of the song, and there was a softness in the room and on the faces of everyone. The evening changed. His courage in exposing himself to us all had somehow broken the barriers that separated us. Warmth and kindness showed in every face.

I’ve heard another song sung like that in a voice that had no training, and nothing to recommend it except sweetness of tone, and sweetness of character. And it was just as moving. So while mastery is a sublime experience, the love and honesty that we lesser mortals have to offer, is just as precious in its own way.

 

Food for Threadbare Gourmets

If we’re having something ordinary to eat, and I need to give it a bit of a lift, I make our family favourite, culled years ago, from the pages of Elizabeth David. I only used to make it at Christmas, for the adults, but one memorable year, the grandchildren discovered it, and gobbled it up under the affronted and greedy gaze of all the grownups. So now I make about three dishes of it, and there is a great big potato peeling bee on Christmas Eve, and some of the children eschew the turkey, plumping for the potatoes, and only moving on to the rest of the feast later. If there’s any left over, they eat them for breakfast! So I always make it now when the family come, and often for dressy meals with friends.

All you need are potatoes, garlic and lashings of cream. I use Agria potatoes, which mash well, and also in this dish, absorb the cream. Slice the potatoes thinly into rounds, and pat them dry. Butter a shallowish baking dish, and layer the potatoes in, every now and then anointing the layers with salt and pepper, chopped garlic and a few knobs of butter. When the dish is nearly filled, dot the top with butter and pour in as much cream as you need to nearly cover the potatoes. Bake for an hour or more in a moderate oven. If the cream has dried up by the end, I pour more into the crevices, and put back in the oven for a few minutes. It can be cooked the day before and re-heated, but give it plenty of time. It’s delicious with any meal, and with a few vegetables is also a lovely vegetarian meal.

 

Food for Thought

Ad on Trademe: One toothpick with a FREE son included ( I’m sure there is some law which forbids me trafficking in humans, hence the toothpick)…being a teenager he requires large amounts of food (meat and candy mostly, despite the fridge being full of fruit and veg.) Uses power enough to run a small town ( computer, TV, PlayStation and assorted electrical gadgets as well as always leaving the fridge door open) Unfortunately he is short-sighted and unable to see unwashed dishes, grime, towels on the floor or skid marks. Requires 14 hours of sleep per day. Needs a soundproof room as he either slaughters pigs in there or plays heavy metal (sounds the same to me)

Don’t suppose he managed to get rid of him… there’s a glut of teenage boys like this, I suspect.

 

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